Creative Placemaking

Annalisa Dias and Madeline Sayet introduce the Decolonizing Theatre series by exploring the ways the American theatre has been and still is complicit in the legacy of colonialism.

Michael Rohd with an update on the Center for Performance and Civic Practice’s Catalyst Initiative. 

The National Endowment for the Arts (NEA), with support from ArtPlace America, is hosting a convening that examines how performance-based organizations, and the artists they engage, transform places through their artistic practices: "Beyond the Building: Performing Arts and Transforming Place". This multiplatform convening will be live webcasted and will have Twitter discussions on hashtag #performplace on Monday, November 3, 2014, from 6am PST to 2pm PST / 7am MST to 3pm MST / 8am CST to 4pm CST / 9am EST to 5pm EST.

Haley Honeman writes about The Kirkbride Cycle, a site-specific musical performed at Fergus Fall State Hospital, a deinstitutionalized asylum in Minnesota.

Dani Snyder-Young writes about the 2014 Chicago Home Theater Festival, which places participatory performances inside private homes.

Perseverance Theatre has a long history of creating new work. A great deal of that new work embodies one of Perseverance’s core values: regional voice. In 35 years, Perseverance Theatre has premiered close to 70 new works. Two of the challenges of creating this work are the distance and isolation of being located in Alaska. These also serve as great opportunities to be unique in perspective and specific in terms of the type of work we do. This article is part of a series of four articles on Creative Placemaking publishing in conjunction with the 2014 ArtPlace America Grantee Summit. The Summit will livestream Mon, March 3 to Wed, March 5 on HowlRound.TV. In Twitter, use #ArtPlace to participate in the conversation. View the full series, schedule, and archive here: http://bit.ly/artplace2014.

We completed our ArtPlace funded Arts on Chicago initiative in June of 2013. Arts on Chicago engaged forty artists in twenty placemaking projects to turn a ten-block stretch of Chicago Avenue into an arts district. It was a massive effort that taught us a lot about what Creative Placemaking means in the context of our South Minneapolis community. This post is part of a series of four articles on Creative Placemaking publishing in conjunction with the 2014 ArtPlace America Grantee Summit. The Summit will livestream Monday, March 3 to Wednesday, March 5 on HowlRound.TV. In Twitter, use #ArtPlace to participate in the conversation. View the full series, schedule, and archive here: http://bit.ly/artplace2014 .

The Great Chicago Fire Festival is a new signature event for the City of Chicago. It is a citywide spectacle, co-produced by Redmoon Theater and the City of Chicago. It will be Mayor Emanuel’s first major cultural initiative and is wedded to his federally funded effort to convert the Chicago River into a hub of downtown recreation. What Mardi Gras is to New Orleans and the Running of the Bulls is to Pamplona, that’s what The Great Chicago Fire Festival will become to the Windy City. This article is part of a series of four articles on Creative Placemaking publishing in conjunction with the 2014 ArtPlace America Grantee Summit. The Summit will livestream Mon, March 3 to Wed, March 5 on HowlRound.TV. In Twitter, use #ArtPlace to participate in the conversation. View the full series, the schedule, and archive here: http://bit.ly/artplace2014.

“Creative Placemaking” describe projects in which artists and arts organizations are explicitly working as part of a larger strategy to help shape their communities’ social, physical, and economic characters. In other words, these projects are doing art to change a place. This work is not new—in ancient Greece, the theater was the literal, spiritual, and civic center of the community—but putting a name on it is. And creating a sense of community among previously unconnected projects is new as well. This article is part of a series of four articles on Creative Placemaking publishing in conjunction with the 2014 ArtPlace America Grantee Summit. The Summit will livestream Mon, March 3 to Wed, March 5 on HowlRound.TV. In Twitter, use #ArtPlace to participate in the conversation. View the full series, the schedule, and archive here: http://bit.ly/artplace2014.

The Weekly Howl is a peer-produced, open-access discussion about theater culture and contemporary performance that happens on Twitter using the hashtag #newplay.*

The needs of non-arts organizations, and theatre artists' assets can intersect through Civic Practice. This guide from Michael Rohd offers examples of application and what this work can accomplish.