Jill Marie Bradbury reflects on the Deaf Theatre Action Planning Session, co-produced by HowlRound, when thirty Deaf, DeafBlind, and hard of hearing theatre artists, administrators, and scholars gathered in Boston for a weekend-long convening.
Nicole Kelly and Jenn Poret, two arts managers with disabilities, reflect on the most and least accessible aspects of the jobs, accommodations they need, and the future of accessible theatre management.
The Importance of Including the Disabled Designers
29 May 2019
Mallory Kay Nelson and Michael Maag talk about the low number of full-time designers working in theatre; the realities of costume, lighting, and projection design as a disabled artist; and how delegation is a skill they’ve both had to master.
Innovation, Creativity, and Inclusion in Professional Theatre
26 May 2019
Talleri A. McRae and Mickey Rowe, co-founders of the National Disability Theatre, introduce their series “The Future of Theatre is Accessible,” talk about some key takeaways from the upcoming articles, and discuss how language is a barrier to inclusion.
Alix Rosenfeld talks about the difference between inclusion and belonging when it comes to working with the disability community, using the Philadelphia-based FringeArts production of A Fierce Kind of Love as an example.
IETM — International network for contemporary performing arts — presented the IETM Hull Plenary Meeting 2019 with the theme Everyone and Anyone livestreamed from Hull, United Kingdom on the commons-based peer produced HowlRound TV network at howlround.tv Thursday 28 March to Saturday 30 March 2019.
A three-day summit and arts-integrated experience examining issues of equity both in, and through, the arts.
Friday 22 March 2019 and Saturday 23 March 2019
Arts Connect International presented the Arts Equity Summit livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 22 March 2019 and Saturday 23 March 2019.
Representation and Ability On Stage in Dallas, Texas
28 June 2018
Shelby-Allison Hibbs interviews director Marianne T. Galloway and theatre administrator and actor Sherry Jo Ward about representation in the Dallas/Fort Worth area and what it’s like to create theatre with their unique physical challenges.
Performance of And Suddenly I Disappear: The Singapore 'd' Monologues
Saturday 26 May 2018
Unlimited in association with Kaite O'Reilly presented And Suddenly I Disappear: The Singapore 'd' Monologues by Kaite O'Reilly livestreaming from the National Museum of Singapore on the global, commons-based peer produced HowlRound TV network at howlround.tv on Saturday 26 May 2018 at 2:30 p.m. UTC +8 (Singapore) / 8:30 a.m. UTC +2 (Berlin) / 7:30 a.m. UTC +1 (London) / 06:30 UTC +0 / 4:30 p.m. UTC +10 (Sydney) / 2:30 a.m. UTC -4 (New York).
For the fourth installment of the Chronic Theatremaker series, Sara Brookner interviews playwright Lisa Kenner Grissom about living with lupus and learning to balance her health practice with her writing practice.
Cripping the Crip—Is It Time to Reclaim Richard III?
21 February 2018
Kaite O’Reilly considers how Richard III has been portrayed on stage, the alignment of atypical embodiment with evil and suffering, and her inspiration with The Llanarth Group to create a new staging of Richard III.