HowlRound Convenings

In this dispatch from the third day of the Latinx Theatre Commons (LTC) Tenth Anniversary Convening, Olga Sanchez Saltveit reflects on conversations about the LTC’s future, as well as the art, community, and celebration threaded through the convening’s closing ceremonies.

Georgina Leanse H. Escobar writes and draws a reflection on the second day of the Latinx Theatre Commons Tenth Anniversary Convening, which brought Latinx theatremakers together through poetry, conversation, and hope founded in community.

Iraisa Ann Reilly recounts the introductions, histories, and memories shared throughout the first day of the Latinx Theatre Commons Tenth Anniversary Convening. 

Ashley Malafronte reflects on the 2024 Under the Radar Symposium, which convened global theatre artists, producers, and presenters in New York City for a day of keynotes and discussions that surfaced the issues plaguing the international performing arts sector, as well as the emergent paths that could strengthen it.

Designer and Latinx Theatre Commons (LTC) steering committee member Tara Houston reflects on the transformation that the LTC inspired in her own career, and how the interventions at LTC convenings are helping Latinx theatremakers transform the theatre field.

David Howse and Ronee Penoi, co-leaders of ArtsEmerson, introduce the Black and Indigenous Futures Series with an essay that discusses their commitment to a shared leadership approach that foregrounds solidarity between Black and Indigenous communities.

The International Presenting Now convening brought a collective of US-based presenters of international work together in physical space in January 2023, following almost three years of virtual conversations and events. Janice Paran details the conversations that arose around the convening’s key question: how might international presenters want to work differently?

Theatremaker Maria Patrice Amon shares her experience watching La Carpa De La Frontera at Latinx Theatre Commons’ 2022 Comedy Carnaval and explains the significance of carpa theatre.

Trevor Boffone reflects on the 2022 Latinx Theatre Commons (LTC) Comedy Carnaval that convened at Su Teatro in Denver, Colorado, which was comprised of productions, readings, panels, and special sessions that showcased the depth and range of Latinx comedy in theatre.

Amelia Acosta Powell describes the creation and intention behind Comedy Carnaval, an LTC event that invites Latine theatremakers to laugh in the face of oppression.

Jamie Gahlon, director of HowlRound, reflects on the past year of conversations, convenings, livestreams, and more—all in the name of creating a more equitable, just, and progressive theatre field—and looks forward to 2020.

Armando Huipe, new Latinx Theatre Commons producer, announces the next four years of programming which include the Creative Renewal Retreat, a Comedy Carnaval, and furthering the internal work of anti-oppression, coalition building, and combating colorism.

Carl(os) Roa reflects on the 2019 Latinx Theatre Commons Miami Regional Convening, which took place between 12 and 14 July.

May Antaki reflects on the Digital + Performance Convening, produced by HowlRound Theatre Commons and SpiderWebShow Performance, which focused on the intersection of digital technology and live performance.

Jill Marie Bradbury reflects on the Deaf Theatre Action Planning Session, co-produced by HowlRound, when thirty Deaf, DeafBlind, and hard of hearing theatre artists, administrators, and scholars gathered in Boston for a weekend-long convening.

HowlRound Director Jamie Gahlon reflects on 2018 and looks forward to 2019.

Playwright Peter Nachtrieb gives his reflections on the Comedy Convening co-hosted by HowlRound in Boston, MA on 17 and 18 October 2018.