HowlRound Convenings

Theatremaker Maria Patrice Amon shares her experience watching La Carpa De La Frontera at Latinx Theatre Commons’ 2022 Comedy Carnaval and explains the significance of carpa theatre.

Trevor Boffone reflects on the 2022 Latinx Theatre Commons (LTC) Comedy Carnaval that convened at Su Teatro in Denver, Colorado, which was comprised of productions, readings, panels, and special sessions that showcased the depth and range of Latinx comedy in theatre.

Amelia Acosta Powell describes the creation and intention behind Comedy Carnaval, an LTC event that invites Latine theatremakers to laugh in the face of oppression.

Jamie Gahlon, director of HowlRound, reflects on the past year of conversations, convenings, livestreams, and more—all in the name of creating a more equitable, just, and progressive theatre field—and looks forward to 2020.

Armando Huipe, new Latinx Theatre Commons producer, announces the next four years of programming which include the Creative Renewal Retreat, a Comedy Carnaval, and furthering the internal work of anti-oppression, coalition building, and combating colorism.

Carl(os) Roa reflects on the 2019 Latinx Theatre Commons Miami Regional Convening, which took place between 12 and 14 July.

May Antaki reflects on the Digital + Performance Convening, produced by HowlRound Theatre Commons and SpiderWebShow Performance, which focused on the intersection of digital technology and live performance.

Jill Marie Bradbury reflects on the Deaf Theatre Action Planning Session, co-produced by HowlRound, when thirty Deaf, DeafBlind, and hard of hearing theatre artists, administrators, and scholars gathered in Boston for a weekend-long convening.

HowlRound Director Jamie Gahlon reflects on 2018 and looks forward to 2019.

Playwright Peter Nachtrieb gives his reflections on the Comedy Convening co-hosted by HowlRound in Boston, MA on 17 and 18 October 2018.