In the fourth installment, Michael Lueger interviews Archivist Morgen Stevens-Garmon about the intersection of theatre and museum archives in her career.
Artichoke Dance in New York City presented a Climate Change Theatre Action event with eight new theatrical works as part of ArtCOP21—worldwide performances bringing awareness to and fostering dialogue around climate change—livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Saturday 7 November at 8 p.m. EST (New York) / 7 p.m. CST (Chicago) / 5 p.m. PST (Los Angeles). In Twitter use #artcop21, #ArtichokeDance, and follow @ArtichokeDance and @HowlRoundTV.
Actor Gardiner Comfort discusses his experiences as a performer and audience member with Tourette Syndrome, and how it has inspired aspects of his solo show The Elephant in Every Room I Enter.
Today I talk with Kara Lindsay, currently playing Glinda in Wicked on Broadway. We talk Broadway dreams, audition nightmares and coming to terms with the ebbs and flow of the business.
Playwrights Horizons in New York City presented the HirSymposium moderated by Hir playwright Taylor Mac livestreamed on the global, commons based peer-produced HowlRound TV network at howlround.tv on Monday 2 November at 4 p.m. PST (San Francisco) / 6 p.m. CST (Chicago) / 7 p.m. EST (New York). In Twitter, follow @PHnyc, @howlroundtv—and use hashtag #howlround.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 2 November at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Stephanie Barton-Fracas, artistic director of Nicu’s Spoon, New York’s first and oldest inclusive theatre, talks about inclusivity as a necessary reflection of our current society.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 26 October at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Women in the Arts & Media Coalition and all its member organizations celebrated the winner, honored finalists, and finalists of the 2015 Collaboration Award, designed to encourage professional women in the arts and media from different specializations to work collaboratively on an arts or media project, livestreamed at howlround.tv on Sunday 25 October at 3 p.m. PDT (Los Angeles) / 5 p.m. CDT (Chicago) / 6 p.m. EDT (New York). In Twitter, follow @WomenArtsMedia and @HowlRoundTV and use hashtags #CollabAwards and #howlround.
Chicago-based theatre practitioner and scholar Eli Van Sickel dispells the prevalent notion of Spring Awakening being the first deaf production on Broadway—it’s not.
La MaMa presented a performance of Teatro Patologico’sMedeadirected by Dario D’Ambrosi livestreamed from New York City on the global, commons-based peer produced HowlRound TV network at howlround.tv on Sunday 18 October at 1 p.m. PDT (San Francisco) / 3 p.m. CDT (Chicago) / 4 p.m. EDT (New York) / 20:00 GMT / 21:00 BST (London) / 22:00 CEST (Rome).
Bethany Caputo is a prolific stage and commercial actor, as well as an extraordinary teacher. Today we talk Michael Chekhov, the need to love auditioning, and how “falling off the beam” can sometimes be the very best thing for your career.
Director Desdemona Chiang provides an overview of Asian American discrimination and cultural appropriation in the US and argues that there is no way to divorce The Mikado from this problematic history.
Martha Steketee explores the lens and artistry of Jody Christopherson in “Necessary Exposure The Female Playwright Project: Portraits of Playwrights Who Identify as Female” in New York City.
