The League of Professional Theatre Women presented the Award Celebration & Big Mingle from New York City livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 2 May from 6:30 p.m. EDT-10 p.m. EDT (New York) / 3:30 p.m. PDT-7 p.m. PDT (Los Angeles). On Twitter, use @LPTWomen and #BigMingle.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 2 May at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Alex Goldberg wonders if it's possible for a playwright to be wrong about an aspect of his or her own play, and describes a fraught production process.
Playwright Melinda Lopez shares her experience buying tickets to see Hamilton, and addresses the cost of watching a Broadway show versus the cost of caring for her mother.
You’re invited to join a post-reading discussion with Sarah Ruhl, Geshe Tashi Dorjee, Tenzin Gelek, and President of Tibet Fund Rinchen Dharlo livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 25 April at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles) / 01:00 GMT (Tuesday, April 26). In Twitter use #oldestboybenefit.
Playwright Natalie Sacks shares her post-graduate experience of working various theatre jobs, her take on the “starving artist” model, and her journey to writing her first play since college.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 25 April at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Martin E. Segal Theatre Center presented a reading of Paula Vogel's Indecent livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 18 April at 3:30 p.m. PDT (Los Angeles) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York).
The Playwrights Horizons' Antlia Pneumatica Symposium: Where the Playwright Asks the Questions with Anne Washburn livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Saturday 16 April at 21:00 BST (London) / 20:00 GMT / 4 p.m. EDT (New York) / 3 p.m. CDT (Austin) / 1 p.m. PDT (Vancouver). In Twitter, use #howlround.
The Martin E. Segal Theatre Center in New York City presented Spalding Gray: A Celebration of his Life and Work livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 11 April at 3:30 p.m. PDT (San Francisco) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York) / 22:30 GMT / 23:30 BST (London). On Twitter, use #howlround to join the conversation.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 11 April at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Have jokey depictions of elections on stage and screen helped cause a joke of a real-life presidential campaign? Jonathan Mandell visits two experimental theatre projects that are tackling this year’s presidential election in serious and intriguing ways.
Safe Harbors Indigenous Arts/Theater Collective, La MaMa, and CultureHub
Wednesday 6 April 2016
New York, NY, United States
La MaMa in New York City presented Safe Harbors Indigenous Arts/Theater Collective at Culturehub's Arts/Culture: Social Justice and Social Change discussion livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Wednesday 6 April at 12:30 p.m.-5 p.m. EDT (New York) / 11:30 p.m.-4 p.m. CDT (Chicago) / 10:30 a.m.-3 p.m. MDT (Alberta) / 9:30 a.m.-2 p.m. PDT (Vancouver) / 8:30 a.m.-1 p.m. AKDT (Alaska) / 6:30 a.m.-11 a.m. HAST (Hawaii) / 16:30-21:00 GMT / 5:30 p.m.-10 p.m. BST (London) / 18:30-23:00 CEST (Brussels). On Twitter, use #howlround and follow @LaMamaETC, @CultureHubNYC, and @HowlRoundTV
The Martin E. Segal Theatre Center in New York City presented a discussion The New Black Fest: Revolutionary Writing livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 4 April at 3:30 p.m. PDT (San Francisco) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York) / 22:30 GMT / 23:30 BST (London). On Twitter, use #howlround to join the conversation.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 4 April at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Trevor Boffone interviews Hamilton’s music director, orchestrator, and co-arranger Alex Lacamoire about his journey as an artist, his Cuban heritage, and collaborating with Lin-Manuel Miranda.
