Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 23 March at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 9 March at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Scholar and theater practitioner Erin Mee, considers how by giving time-space to the sensoria, immersive, and interactive productions are inherently rasic.
Dreams on the open sea are part of a larger narrative as Natasha Lee Martin, an actress, director, and teacher, performs in Confessions of a Synesthetic Sailor at TheaterLab in New York City.
Dramatists Guild of America and the Society of Composers and Lyricists presented an evening with two of the musical theatre's most exciting collaborative teams: Tony winners and multiple Grammy, Tony, Golden Globe, and Oscar nominees Lynn Ahrens and Stephen Flaherty, and Rodgers, Roth, Larson, Kleban, and Ebb award-winners Chris Miller and Nathan Tysen, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Wednesday 25 February at 6:30 p.m. EST (New York) / 5:30 p.m. CST (Chicago) / 3:30 p.m. PST (Los Angeles) / 23:30 GMT (London).
Martha Steketee explores the development and evolution of I'm Gonna Pray for You So Hard with playwright Halley Feiffer. The play spans five years and two opening nights, features substance abuse, plenty of familial debate, and one attempt at reconciliation.
Native voices week continues! August: Osage County’s Kimberly Guerrero explores her work on the show, and what lesson the American theatre can learn from it.
Martha Steketee looks at The Players, an 125-year-old club for actors and those that love them, and spends some time with all its history and archives.
Roadside Theater and Pregones/Puerto Rican Traveling Theater presented a conversation about BETSY!The Appalachian-Puerto Rican Musical livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Thursday 12 February at 7 p.m. EST (New York) / 6 p.m. CST (Chicago) / 4 p.m. PST (Los Angeles).
"Audience participation" is a vague term, like much of theatrical terminology; it has come to mean different things to different people... What happens when the audience participates by becoming performers—without volunteering to do so?
The U.S. Department of Arts and Culture presented The People's State of the Union—2015 Poetic Address to the Nation livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 1 February at 6:30 p.m. EST (New York) / 5:30 p.m. CST (Chicago) / 3:30 p.m. PST (Los Angeles) / 23:30 GMT (London). Livestreaming by CultureHub at Bowery Poetry in New York City.
Avant-garde performer and director Paul Zimet offers a brief overview of his role in Joseph Chaikin’s Open Theater and his forty-year history with Talking Band.
Some could argue that a play like Burq Off is not the right place to begin to understand the world of the Muslim Diaspora in Europe... But Manzoor herself provides some of that context, throwing statistics into her monologues almost as if her drama were a form of journalism.
Camille A. Brown presented The Gathering 2015 livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 11 January at 4 p.m. PST (San Francisco) / 6 p.m. CST (Chicago) / 7 p.m. EST (New York).
The Association of Performing Arts Presenters (APAP) welcomed performing arts professionals and enthusiasts around the world to join us remotely for select plenary events featuring luminaries from the industry and for professional development sessions sharing best practices from the field during our APAP|NYC 2015 conference livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv from 9 January to 13 January 2015.
The Under the Radar Festival 2015 at the Public Theater in New York City presented the festival's Professional Symposium and two Culturebot Conversations livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Thursday 8 January to Sunday 11 January.
Join us for the symposium and official launch of the Cultural Mobility Funding Guide for the USA: Theatre, Performing Arts, and Dance—a free and user-friendly guide to funding for international exchange for artists traveling to and from the USA— livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Wednesday 7 January from 10 a.m. EST to 5:30 p.m. EST. In Twitter, direct comments @SegalCenter and use #USCulturalMobility.
Could the theater offer to both theater artists and theatergoers a kind of substitute for the awe they felt as children towards a religion that they no longer can as readily accept intellectually or morally?
