LaMaMa and CultureHub in New York City presented a performance of Motus Theatre Company's (Italy)Nella Tempesta—an adaptation of William Shakespeare’s The Tempest— livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 21 December at 1 p.m. PST (San Francisco) / 4 p.m. EST (New York) / 21:00 GMT (London) / 22:00 CET (Rome).
The Dreary Coast is a site-specific immersive work that took place in Brooklyn’s Gowanus Canal, and used elements of Greek and Roman mythology, Dante’s Inferno, black metal music, and the canal’s actual history to journey its audience through one of the most polluted waterways in the United States.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 17 December at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Peculiar Works Project Illuminates the Insides of the City
16 December 2014
3Christs is an adaptation of a study about therapeutic experiments with three men who believed they were Jesus Christ at Ypsilanti State Hospital in the 1960s. Performed in Judson Memorial Church, 3Christs exemplifies the essence of Peculiar Works Project.
Are we free to gawk again? That’s what Broadway audiences are doing during the revival of The Elephant Man, one of several stage shows and television series that are bringing attention back to the freak show.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 10 December at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
CultureHub SeoulArts/La MaMa presented a special work in progress showing of The Return by puppeteer Tom Lee in collaboration with the Seoul Institute of the Arts and Sarah Lawrence College livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 9 December at 5:30 p.m. PST (Los Angeles) / 7:30 p.m. CST (Chicago) / 8:30 p.m. EST (New York) / Wednesday, December 10 at 1:30am GMT (London) / Wednesday, December at 10:30 a.m KST (Seoul). In Twitter, use #howlround to share this event.
The Dramatists Guild of America presented the conversation Finding Your Voice Later In Life (Is It Too Late To "Emerge?") livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 2 December at 2:30 p.m. PST (Los Angeles) / 4:30 p.m. CST (Chicago) / 5:30 p.m. EST (New York) / 22:30 GMT (London). In Twitter, use #howlround to participate in conversation and follow @DramatistsGuild for updates.
Carol Kearns writes about Zoetrope: Part 1, a drama set in 1951 Puerto Rico, looking at its multimedia aesthetic, bilingual presentation, and political themes.
A. Zell Williams talks about how a resident playwright and a theater can affect dialogue together, and how the trouble when residencies happen without enough commitment.
Frances Ya-Chu Cowhig answers questions in about her residency at Manhattan Theatre Club through the Tow Foundation. She talks of her artistic home as collaborators, as well as her hopes for the future.
What are two essential elements to creating a transformational experience for an up-and-coming playwright? 1) A full time salary and health insurance. 2) The guarantee of having a work produced by a major off-Broadway non-profit theater.
Dramatists Guild of America presented the conversation Beyond Angry Lesbians and Gay Best Friends: Writing Gender and Sexuality in the 21st Century livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 25 November 25at 2:30 p.m. PST (Los Angeles)/ 4:30 p.m. CST (Chicago)/ 5:30 p.m. EST (New York)/ 22:30 GMT (London).
CultureHub SeoulArts/La MaMa in New York City presentedSurveillance Salon curated by Anna Barsan at the art and technology festival Refest 2014 livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 22 November at 2 p.m. PST (Vancouver) / 4 p.m. CST (Austin) / 5 p.m. EST (New York) / 22:00 GMT (London).
Our process is open-source, inquiry-based and ever-evolving. We love hyphens. We flirt at the intersection of playmaking and script writing. We believe that theater requires the whole performer—mind, body, and voice. Often we draw strong, immediate connections that open up a dialogue between past and present, and play on themes of history, science, mathematics, and social justice.
Playwrights Horizons presented the Grand Concourse Symposium on Saturday 15 November where playwright Heidi Schreck moderates a panel featuring Annie Baker, Sister Nancy Chiarello, and Angela Alaimo O’Donnell livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 15 November at 21:00 GMT (London) / 4 p.m. EST (New York) / 3 p.m. CST (Austin) / 1 p.m. PST (Vancouver). In Twitter, use #howlround to chat. Follow @PHNYC and @HowlRoundTV for updates.
La MaMa in New York City presented the Urban Indigenous Arts & Culture Symposium performance of Don't Feed the Indians—A Divine Comedy Pageant from CultureHub livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 14 November at 18:00 GMT (London) / 1 p.m. EST (Toronto) / 12 p.m. CST (Chicago) / 10 a.m. PST (Vancouver) / 9 a.m. AKST (Anchorage). In Twitter, use #howlround.
The Network of Ensemble Theaters presents Intersection: Ensembles + Universities livestreaming from LaMama and New School University in New York City on the global, commons-based peer produced HowlRound TV network at howlround.tv Friday, October 31 to Sunday, November 2, 2014. In Twitter, use #howlround to share conversation.
The Dramatists Guild of America presented the conversation Behind the Music-al livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 28 October 2014.
Bertie Ferdman interviews Anne Hamburger about Basetrack Live, a multimedia theatre production inspired by Basetrack: One-Eight, a web project created in 2010 by photojournalists embedded with US Marines fighting in southern Afghanistan.
CultureHub in New York City presented the discussion The Mirror up to Nature: Reflecting the Environment in Designs, Maps, and Theatre livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 26 October at 22:00 GMT (London) / 6 p.m. EDT (New York) / 5 p.m. CDT (Austin) / 3 p.m. PDT (Vancouver) / 9 a.m. AEDT on Monday, October 27 (Sydney). In Twitter, use #howlround.
