Hosts Marina Johnson and Nabra Nelson learn from Dr. Amir Al-Azraki about Iraqi theatrical traditions, the birth of modern Iraqi theatre springing from church drama in Mosul in the late nineteenth century, Iraqi plays in translation, and Afro-Iraqi theatre.
How would our view of Othello change if we knew he were a Muslim? Abdul-Rehman Malik reflects on this question, which became a central point of exploration for his work on the English Touring Theatre production of Othello.
Ifrah Mansour creates performance art that explores joy and healing while connecting communities. In this essay, she illuminates the connections between her work and her experiences as a Somali American, a refugee, and a Muslim woman.
Nasima Bee discusses the creation of take back my body, which was informed by a series of workshops in which groups of Muslim women connect and share experiences on the topics of belonging, identity, and home.
Asif Majid introduces the Transatlantic Muslim Voices series with an essay that traces histories of oral performance and migration away from oppression that continue to inform experiences of Muslimness in today’s world and theatre landscape.
Hosts Marina Johnson and Nabra Nelson talk about Egyptian playwright Tawfiq al-Hakim and his “unstageable” classic play People of the Cave. They provide historical context of the play, al-Hakim’s career, and the Christian and Islamic stories that served as al-Hakim’s inspiration.
Genevieve Schroder-Arce discusses her experience attending—and co-creating—Teatro Vivo’s Las Pastorela 2022, which invited audience members to construct the piece and perform it for one another as a way of modeling collaboration among community members.
In the season finale of the Building Our Own Tables podcast, Yura Sapi invites Gabriel Barrera to share about creating Scenic G, a visual art and design company providing services in art and design, workshops, consultation, facilitation, and mentorship infused with social justice. After spending twenty years as a scenic designer, Gabriel shares about his decision to leave and build his own table as an independent artist providing opportunities for others along the way. Topics in this episode include decolonizing ideas of who a teacher can be, addressing toxic behaviors, and facilitation skills.
Theatremaker Mica Rose joins Yura Sapi this week and shares about co-creating Asian American Theatre Artists of Boston. Topics for this episode include moving from morning routine to waking ritual, the power of circles and cycles, and a grounding meditation.
As a scholar, educator, and practitioner of theatre, Roselyn Madalo Dzanja knows Malawi’s theatrical landscape well. In this interview, she discusses challenges Malawian women face when pursuing an acting career, the need for artistic independence from international donors, possibilities for Chichewa-language drama, and more.
Ann James interviews Cha Ramos about her approach to intimacy direction, which pulls from Cha’s multidisciplinary theatrical career, her Cuban American upbringing, and—perhaps most crucially—her intentional rediscovery of spirituality as an essential part of artistic practice.
Safe Havens Freedom Talks presented a conversation Unjust Narratives: The Absence of Hazara People in Public Discourse livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Tuesday 26 April 2022 at 8:30 a.m. EDT (New York, UTC -7) / 12:30 p.m. UTC / 2:30 p.m. CEST (Stockholm, UTC +2) / 5 p.m. AFT (Kabul, UTC +4:30).
Onisajé shares the creative process of Teatro Preto do Candomblé, which trains actors using the rituals and liturgy of Candomblé as a method of actor training. Through immersion in this African diasporic religion, Teatro Preto do Candomblé’s methods center reciprocal relationships with the environment and activate individuals’ connection to their Blackness.
Gender Euphoria, the podcast, host Nicolas Shannon Savard sits down with siri gurudev to talk about their devising practice which blends queer of color theory and performance techniques, popular music, and spirituality and to chat about their dissertation research on ritual, trauma, and healing in QTPOC performance.
In these episodes of The Future Is Now, CEC Artslink invites three of their Future Fellows—Amirah Sackett, an independent artist and activist, and Malika Umarova and Marat Raiymkulov of Art Group 705—to share their vision for how they see the future of arts practice.
Dr. Megan Sanborn Jones on Pageants and the Church of Jesus Christ of Latter-Day Saints
13 October 2021
In this week’s Theatre History Podcast, Dr. Megan Sanborn Jones discusses the history of Mormons in theatre and the pageant tradition in the Church of Jesus Christ of Latter-day Saints. Through her deep research on these pageants, Dr. Jones explores the unique fusion of faith, history, and performance in Mormon pageantry.
Caridad Svich shares a correspondence she had with playwright and theatremaker Will Arbery, touching on topics of writing about bleakness and despair, a play’s relationship to breath, faith and faithlessness, and more.
Playwright Renée Darline Roden talks about her travels to Israel and Palestine to gain inspiration for a new play and encountering what Chimamanda Ngozi Adichie calls “the danger of a single story.”
An Interview with Werewere Liking founder of the Theatre Company Village Ki-Yi M'Bock in Côte d’Ivoire. / Une interview avec Werewere Liking, la fondatrice du Village Ki-Yi M'Bock en Côte d’Ivoire.
Ximena Garnica and Shige Moriya’s Becoming Pentalogy
20 October 2017
Multidisciplinary artist and cultural producer Ivan Talijancic interviews New York based duo Ximena Garnica and Shige Moriya about LEIMAY ensemble, their recent production Frantic Beauty, and the creation process for their five-part Becoming series.
A Conversation between Director June Guralnick and Playwright Suzanne Bradbeer
18 June 2017
Conversation between director June Guralnick and playwright Suzanne Bradbeer about The God Game, plays about faith post-election, and the division of church and state.
