La MaMa in New York City presented a performance of Don't Feed the Indians—A Divine Comedy Pageant livestreamed from CultureHub on the global, commons-based peer produced HowlRound TV network at howlround.tv on Sunday 12 November at 19:00 GMT (London) / 2 p.m. EST (New York) / 1 p.m. CST (Chicago) / 11 a.m. PST (Vancouver) / 10 a.m. AKST (Anchorage). In Twitter, use #howlround.
What are female acting students learning in the classroom? Educator and director Katherine McGerr discusses how gender parity in theatre starts in the classroom.
The VORTEX in Austin, Texas presents a performance of P3M5: Plurality of Privacy Project in Five-minute Plays,livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv Sunday 5 November at 9 p.m. EST (New York) / 8 p.m. CST (Chicago) / 6 p.m. PST (Los Angeles).
La MaMa Experimental Theater Club presented a performance of ALAXSXA, a production of Ping Chong + Company, livestreamed on the global, commons-based peer produced HowlRound.TV network on Saturday 14 October at 7:00 p.m. EDT (New York) / 6:00 p.m. CDT (Chicago) / 4:00 p.m. PDT (San Francisco).
The VORTEX in Austin, Texas presented a performance of Vampyress livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Friday 6 October at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles).
In the fourth installment of this series, Brendan McCall discusses the work of Czech-born, Norway-based artist Nela H. Kornetová , and her performance collective T.I.T.S.
The VORTEX in Austin, Texas presented Ocean— a new play written and performed by Ebony Stewart, livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv Friday 1 September at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles).
A Talk with Christian Appel and Renée Imperato of the TransGenerational Theatre Project
24 August 2017
Patrick Gaughan interviews Christian Appel and Renée Imperato about how they used applied theatre, writing, and utopian world-envisioning to create the all-trans, ensemble- based TransGenerational Theatre Project in NYC.
Theatre practitioner and educator Sophia Skiles interrogates unconsciously artificial and increasingly antiquated casting practices and urges understanding of casting practices that advance equity, inclusion, and access.
Gale Theatre Company and The VORTEX in Austin, Texas presented TWENTYEIGHT— a new play by Tyler English-Beckwith, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Friday 11 August at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles).
Dr. Matthew Sergi and the Surprising Truth About Morality Plays
17 July 2017
Dr. Matthew Sergi of the University of Toronto talks about medieval morality plays, and how performing them today gives us unexpected insights into our own world.
Examining the Diary of Nineteenth Century Actor Harry Watkins with Dr. Amy Hughes, Dr. Naomi Stubbs, and Dr. Scott D. Dexter
3 July 2017
Dr. Amy Hughes, Dr. Naomi Stubbs, and Dr. Scott D. Dexter discuss the diary of Harry Watkins, a nineteenth-century actor, playwright, and stage manager.
Generic Ensemble Company and The VORTEX in Austin, Texas presented Scheherazade— devised by the ensemble and directed by kt shorb, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Sunday 4 June at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles).
The Bootleg Theater in Los Angeles, California presented a performance of I Carry Your Heart by Georgette Kellylivestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Sunday 28 May at 5:00 p.m. EDT (New York) / 4:00 p.m. CDT (Chicago) / 2:00 p.m. PDT (Los Angeles).
Playwrights Local presented the world premiere of Things as They Are—a new play about poet Wallace Stevens by David Todd, with music by Ben Chasny (Six Organs of Admittance)—at Reinberger Auditorium in Cleveland, Ohio, livestreamed on the global, commons-based peer produced HowlRound.TV network on Friday 26 May at 7:30 p.m. EDT (New York) / 6:30 p.m. CDT (Chicago) / 4:30 p.m. PDT (San Francisco).
The Martin E. Segal Theatre Center in New York City presented 50 Years of Theatre of the Ridiculous livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 15 May at 6:30 p.m. EDT (New York) / 5:30 p.m. CDT (Chicago) / 3:30 p.m. PDT (Los Angeles).
Actor Billy Flood discusses his performance as the Earthworm in StageOne Family Theatre’s production of James and the Giant Peach, sharing how he engaged with the role to resist gender norms.
The VORTEX in Austin, Texas presented Promised Land: A Radical Queer Revival — conceived, written, and performed by Rudy Ramirez—livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Friday 12 May at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles).
Ryan Donovan considers the critical reception of casting an actor with a disability in the current Broadway revival of Tennessee Williams's The Glass Menagerie.
