California

Actor Jerine Watson writes about instances in her career where something went wrong, and how the performers managed the moment.

Actor Iris Gonzalez describes her experience with Cornerstone Theatre Company, in the latest installment of the series about their California Bridge Tour.

Emily Aguilar Thomas interviews Milta Ortiz about the inspiration for her play Más and thoughts on the future of American theatre.

Loretta Greco adds her voice to the season planning series, and discusses how Magic Theatre’s 2015-2016 season came to be.

Playwright Paul Heller describes his process for self-producing his current work in living rooms and nursing homes.

SK Kerastas describes an experience grappling with the concept of “radical hospitality” during Anna Deveare Smith’s Notes from the Field, Doing Time in Education: The California Chapter.

Jake Rosenberg on Shotgun Players Cabaret presentation of Monique Jenkinson’s Faux Real in Berkeley, California.

Playwright and poet Joann Farías calls out her community to show up at the theatre to support Latina/o theatre artists.

Kevin Becerra explores becoming comfortable in his identity as a Latino who speaks more Yiddish than Spanish. 

P. Carl interviews playwright Tanya Saracho on how writing for television has affected her work and life in the theatre.

Laura Brueckner interviews Peter Sinn Nachtrieb about the development of The Totalitarians.

Beatriz Rizk interviews Diane Rodriguez, Associate Artistic Director of Center Theatre Group and TCG Board President.

Jamie Gahlon interviews Richard Montoya, Ric Salinas, and Herbert Siguenza, now marking their thirtieth year as ensemble Culture Clash.

Jennifer Lane talks with MOXIE Theatre’s Delicia Turner Sonnenberg about shattering the stereotypes of women’s work and finding balance in her life.

David G. Garcia and Alma Itzé Flores on the 2015 revival of Culture Clash's Chavez Ravine at Center Theatre Group in Los Angeles, California. 

The author explores Company of Angels' workshop production of Dr. Morton's “heavy and psychedelic play.”

LA playwright Jon Caren discusses the theatrical Renaissance that’s currently happening in LA regardless of the 99-seat theater debate.

Andrew Saito explores what being a resident playwright has afforded his rewriting process as he works on Mount Misery, a world where Donald Rumsfeld and Frederick Douglass coexist.