Carla Della Gatta reports on the second Latina/o Studies Association Conference, sharing insight on conversations on Latinx theatre history and practices within US scholarship.
Every 28 Hours at A.C.T. and Berkeley Rep livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Tuesday 18 October and Wednesday 19 October at 10:00 p.m. EDT (New York) / 9:00 p.m. CDT (Chicago) / 7:00 p.m. PDT (Los Angeles). Follow @HowlRoundTV on Twitter and share your thoughts with #howlround.
In this installment of the Triple Play series, Artistic Director Torange Yeghiazarian shares Golden Thread Productions' process for creating space for conversations with artists and audiences both about identity in and representation of the Middle East.
In this installment of the Triple Play series, Lisa Mallette writes about how City Lights Theater Company extends “radical hospitality” to all audience members.
Celebrating Dynamic Contemporary Latinx and Latin American Theatre / Someta su solicitud para participar en el Festival Encuentro de las Américas 2017: Celebrando la dinámica del teatro contemporáne
David Dower talks with Tony Taccone about his adaptation of It Can’t Happen Here at Berkeley Rep, and what it means for an institution to program a new work that speaks directly to our present moment.
Michael Lueger and Barbara Fuchs discuss the plays written during Spain’s theatrical Golden Age, and Barbara’s Diversifying the Classic project, which aims to bring them back into prominence for English-speaking audiences.
Scenic Designer Stephanie Kerley Schwartz shares her process for designing Henry Murray’s Treefall, which inspired her to work on HeatWave, a project connecting environmentalists and theatre artists.
In this first installment, Megan Reilly shares her experience with the first phase of The Tension Experience, a project that’s a cross between immersive theatre and an Alternate Reality Game.
American Conservatory Theater and The Wellesley Centers for Women presented the opening session of the Women’s Leadership Conference livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv from San Francisco on Monday 22 August at 10 a.m.-12 p.m. PDT (San Francisco) / 12 p.m.-2 p.m. CDT (Chicago) / 1 p.m.-3 p.m. EDT (New York) / 17:00-19:00 GMT / 6 p.m.-8 p.m. BST (London). Follow @ACTSanFrancisco, @HowlRoundTV and share your thoughts using #ACTWLC and #howlround.
FaultLine Theater in San Francisco presented the world premiere of The Ice Cream Sandwich Incident, by Barry Eitel, livestreamed on the global, commons-based peer-produced HowlRound TV network at HowlRound.TV on Sunday 21 August at 5:00 p.m. PDT (San Francisco) / 7:00 p.m. CDT (Chicago) / 8:00 p.m. EDT (New York) Follow @howlroundtv and #howlround in Twitter for updates.
Jasson Minadakis, Artistic Director of Marin Theatre Company in Mill Valley, California and playwright-in-residence Lauren Gunderson discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.
FaultLine Theaterin San Francisco presented the world premiere of Oreo, Carrot, Danger; a play of rituals, by Nayia Kuvetakis, livestreamed on the global, commons-based peer-produced HowlRound TV network at HowlRound.TV on Friday 8 July at 7:30 p.m. PDT (San Francisco) / 9:30 p.m. CDT (Chicago) / 10:30 p.m. EDT (New York) / 23:30 GMT (London). Follow @howlroundtv and #howlround in Twitter for updates.
Susan J. Terrio reflects on Marissa Chibas Preston’s new play, Shelter, about journey of unaccompanied minors from Mexico to the US, directed by Martin Acosta.
How being a Playwright In Residence affected the World Premiere of My Latest Play (I think.)
22 June 2016
Playwright Peter Sinn Nachtrieb reflects on the production process of his play A House Tour of the Infamous Porter Family Mansion with Tour Guide Weston Ludlow Londonderry.
A bebop turn on Jack Kerouac's true life hometown teenage romance, Maggie Cassidy by Jon Lipsky
Sunday 5 June 2016
San Francisco, CA, United States
FaultLine Theater in San Francisco presented the west coast premiere of Jon Lipsky's play Maggie’s Riff: A bebop turn on Jack Kerouac's true life hometown teenage romance, Maggie Cassidy livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Sunday 5 June at 6 p.m. PDT (San Francisco) / 8 p.m. CDT (Chicago) / 9 p.m. EDT (New York) / 01:00 GMT (Monday, June 6).
Breaking the Binary is a half-day symposium focused on building trans*/ gender-non-conforming/ non-binary inclusive theatre, co-presented by Berkeley Repertory Theatre and California Shakespeare Theater—livestreamed on the global, commons-based peer-produced HowlRound TV network howlround.tv Monday 16 May at 3 p.m. PDT to 7:30 p.m. PDT (San Francisco) / 5 p.m. CDT to 9:30 p.m. CDT (Chicago) / 6 p.m. EDT to 10:30 p.m. EDT (New York) / 22:00 GMT - 02:30 GMT. Follow the conversation on social media via the hashtag #breakingthebinary2016.
Yerba Buena Center for the Arts and Theatre Bay Area co-host Equitable Representation Through the Arts: A Community Conversation livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 9 May at 6:30 p.m. PDT (San Francisco) / 8:30 p.m. CDT (Chicago) / 9:30 p.m. EDT (New York). Share your thoughts on Twitter using the hashtag #ybca and follow @howlroundtv for updates.
The South Coast Repertory presented The Wright Stuff livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 24 April at 9 a.m. PDT (San Francisco) /11 a.m. CDT (Chicago) /12 p.m. EDT (New York) / 16:00 GMT / 5 p.m. BST (London). On Twitter, use #howlround to join the conversation.
