Meet the artists involved in Berkeley Rep’s Summer Residency Lab, the cornerstone program of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work livestreamed on the global, commons-based HowlRound TV network at howlround.tv Thursday 6 July at 6:15 p.m. PDT (Los Angeles) / 8:15 p.m. CDT (Chicago) / 9:15 p.m. EDT (New York).
Meet the artists involved in Berkeley Rep’s Summer Residency Lab, the cornerstone program of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work livestreamed on the global, commons-based peer produced HowlRound.TV network Friday 23 June at 5:00 p.m. PDT (Los Angeles) / 7:00 p.m. CDT (Chicago) / 8:00 p.m. EDT (New York).
The Bootleg Theater in Los Angeles, California presented a performance of I Carry Your Heart by Georgette Kellylivestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Sunday 28 May at 5:00 p.m. EDT (New York) / 4:00 p.m. CDT (Chicago) / 2:00 p.m. PDT (Los Angeles).
South Coast Repertory presented the 2017 PPF Playwrights Panel: Why this play now? livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Sunday 23 April at 9 a.m. PDT (Los Angeles) / 11 a.m. CDT (Chicago) / 12 p.m. EDT (Boston).
Director Judith Smith discusses her company’s collaboration with Choreographer Joe Goode for to go again, a dance theatre piece that explores the lives of veterans with disabilities.
How to Apply—Regional Theatre Fellowships and Internships
Thursday, February 23 2017
Bay Area, CA, United States
Thinking about applying for a fellowship or internship in theatre? Hear from current fellows at regional theatre companies around the country including Berkeley Repertory Theatre (Berkeley, CA), Arena Stage (Washington, D.C.), Hartford Stage (Hartford, CT), and A.C.T. (San Francisco, CA) discuss the details of their programs and the nuts and bolts of applying! Livestreaming on the global, commons-based HowlRound TV network at howlround.tv Thursday, February 23 at 12 p.m. PST (Los Angeles) / 2 p.m. CST (Chicago) / 3 p.m. EST (New York). Ask questions to panelists live by tweeting @BerkRepSchool using #CreativeCareers.
Looking Back on the Revivals of Sinclair Lewis’s Play During the Election of 2016
19 February 2017
Paul Gagliardi, a scholar of the Federal Theatre Project, considers recent productions of It Can’t Happen Here and why the play is resonating with both directors and audiences today.
California Shakespeare Theater in Berkeley, California presented their Civic Dialogue panel Old Plays, New Faces: Representation in Classic Theatre livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Tuesday 31 January at 9:30 p.m. EST (New York) / 8:30 p.m. CST (Chicago) / 6:30 p.m. PST (Los Angeles).
Berkeley Repertory Theatre presented their Creative Careers panel: Pen to Paper, A Discussion with Professional Playwrights livestreamed on the global, commons-based HowlRound TV network at howlround.tv Monday 23 January at 5:30 p.m. PST (Los Angeles), 7:30 p.m. CST (Chicago), 8:30 p.m. EST (New York).
The process of creating two works, as part of the UCLA School of Theater, Film and Television’s participation in Google's Glass Creative Collective, that use audience's and actors' locations, identities, and choices as pivotal elements of their storytelling structures and investigating the simultaneous processes of dramatic writing/devising and writing code.
Berkeley Repertory Theatre presented their Creative Careers panel Tipping the Scale: Maximizing Resources at a Small to Midsize Theatre Company livestreamed on the global, commons-based HowlRound TV network at howlround.tv Monday 14 November at 1:30 p.m. PST (Los Angeles), 3:30 p.m. CST (Chicago), 4:30 p.m. EST (New York). Join us on Twitter by tweeting @BerkRepSchool using the hashtag #CreativeCareers during the event.
Bootleg Theater presented the World Premiere of Marissa Chibas' The Second Woman livestreamed on the global, commons-based peer-produced HowlRound TV at howlround.tv Sunday 13 November at 5:00 p.m. EST (New York) / 2:00 p.m. PST (Los Angeles) / 4:00 p.m. CST (Chicago) / 10:00 p.m. GMT/UTC (London).
Dramaturg Maria Patrice Amon interviews Playwright Herbert Sigüenza about his comic influences, and Manifest Destinitis, his adaptation of Molière’s The Imaginary Invalid.
In this second installment, Megan Reilly discusses her participation in Ascension, the second phase of The Tension Experience, and reflects on agency for audience members in this immersive experience.
