Tiffany Antone writes about Get Out the Vote initiatives at US theatre companies of various sizes.

Georgina Young-Ellis looks at the history of the innovative Mexican theatre company Teatro Línea de Sombra, its connection to Portland, Oregon, and two of their projects: Amarillo and Rebuilding Small Territories.

Amelia Parenteau explores the value of bringing theatre and the humanities into the medical field through the collaboration between Philadelphia’s Lantern Theater Company and the Sidney Kimmel Medical College.

Playwright Michelle Tyrene Johnson and director Claire Syler discuss their collaboration on The Green Duck Lounge, a play that delves into Kansas City, Missouri’s civil rights history.

Mihaela Drăgan interviews Sandra and Simonida Selimovic of Mindj Panther about their show Roma Armee, and the activist work they are doing in Austria to fight against Roma oppression.

Theatre activist Hjalmar Jorge Joffre-Eichhorn reflects on the founding of the Afghanistan Human Rights and Democracy Organization, a political theatre group that has been working together for over ten years to create social change.

Ana Dinger explores theatre as a “place of listening” through the work of Mónica Calle and Rui Catalão.

Holly L. Derr writes about recent cases of sexual harassment in the American theatre, and asks when and how institutions and abusers will truly be held accountable.

Arts educator Hannah Sachs talks about how introducing Theatre of the Oppressed to her students in the Czech Republic helped address xenophobia in the classroom, and slowly began to change the culture of the school for the better.

Peterson Toscano describes his solo show Everything is Connected, which tackles religion, LGBTQ issues, privilege, and climate change.

Aysan Celik talks about the ways she’s found laughter to be a catalyst for honest conversations with her students about Climate Change.

Chantal Bilodeau kicks off this week’s series on Theatre in the Age of Climate Change by suggesting that women in the arts may be our planet’s best bet for survival.

Playwright Tiffany Antone discusses Protest Play Projects, a new initiative that is organizing theatrical action around gun control in the United States. 

Jonathan Mandell reports on the Martin Segal Theatre Center's 2018 Theatre and Resistance Symposium, and lists ten things theatre community can do right now to make a change.

Brussels-based curator and dramaturg Nedjma Hadj Benchelabi writes about the art scene in her city, and how it is and isn't addressing contemporary social and political needs. 

Sylvia Botella interviews Belgium-based theatre historian Olivier Neveux about his thoughts on populism, decomocratizing access to culture, and the political responsibility of the artist. / 

Sylvia Botella interview l’historien de théâtre belge à propos de ses pensées sur le populisme,

la démocratisation de l'accès à la culture et la responsabilité politique de l'artiste.

Sylvia Botella interviews sociologist Éric Fassin about his views on the connection between sociology, the performing arts, and politics in the age of populism.

Olga Sanchez reflects on Day Four of the Encuentro de las Américas International Convening on 12 November, 2017 in Los Angeles, California.

Thomas Schmidt talks about the recent protest at the Berlin Volksbühne over the change of leadership and immersive theatre in Germany.

David Dudley talks with Maria Striar and Michael Bulger of Clubbed Thumb about how they curated a program directly after the election.

Gary English looks at the production Other Places by the Palestinian theatre group Al Khashabi Ensemble.

Bari Hochwald of the Global Theatre Project discusses the need for artist activists today to “inflame the civic temper” and address the refugee crisis.