In this virtual keynote, Todd London reflects on the nature of new work and the social cooperation inherent to making theatre.

Playwright Aleshea Harris reflects on the tensions of being a Black theatremaker and "negotiating bodily presence" in a speech at the 2020 Under the Radar Festival Professional Symposium.

Amelia Parenteau discusses the Actions Caribéennes Théâtrales festival, which brought together francophones, francophiles, and theatre folks from around the world to witness staged readings of six French Caribbean plays in English translation.

Kristin Leahey, PhD explores the impact of the Colorado New Play Festival and its accompanying conference.

Kirsten Bowen reflects on Slovakia’s 2019 International Theatre Festival Divadelná Nitra, which was programmed based on the theme “faces of freedom.”

ArtsEmerson Artistic Director David Dower speaks with Chilean playwright Guillermo Calderón about the ongoing protests in Chile.

Sam Williams dives into several of the productions at Finland’s Tampere Theatre Festival, which ran between August 5 and 11 and which was curated based on the theme of bravery.

Dave White dives into the programming at this year’s Nová Dráma Festival in Slovakia, where women were front and center.

May Antaki reflects on the Digital + Performance Convening, produced by HowlRound Theatre Commons and SpiderWebShow Performance, which focused on the intersection of digital technology and live performance.

verity healey does a deep-dive into the Our Stage – 4th European Bürgerbühne Festival, which took place in Dresden, Germany, in May 2019.

Alex Ates reflects on the Toddler Takeover at Atlanta, Georgia’s Alliance Theatre and shares what the growing field of theatre for the very young can teach adult theatremakers about their craft.

verity healey examines the concept of theatrical space as it applies to two shows that were presented at Germany’s Our Stage festival in May: Invited and A Doll’s House.

Amanda L. Andrei reflects on Warsaw’s Generation After 3 festival, which had the theme of “risky projects,” and discusses four pieces she saw on risk as it relates to the body and the world.

In the lead-up to HowlRound’s Digital + Performance Convening, Michael Wheeler and Sydney Skybetter chatted, via Slack, about some of the big questions artists are faced with as they contemplate the connection between theatre and technology.

Howard Shalwitz, Karen Houppert, and Yury Urnov reflect on the productions they saw at this year’s Golden Mask Theatre Festival in Moscow, Russia.

verity healey discusses themes and productions from Ghent’s new theatre festival called same same but different.

Playwright and performer Rhiannon Collett examines the queer theatre landscape in Toronto.

Marci R. McMahon reports on the 2019 Latinx Theatre Commons Theatre for Young Audiences Festival and Convening, which took place in January 2019 in Austin, Texas. 

Mona Merhi reflects on four productions at France’s 2018 Avignon Festival that were created based on real-life events, people, or documentary material and questions whether staging documents is an ethical process.

Gaven Trinidad examines the recent exhibition Dance We Must: Treasures from Jacob’s Pillow and wrestles with cultural appropriation vs. cultural appreciation when it comes to costume design throughout history.

William Hand reflects on Germany’s Politik im Freien Theater Festival and discusses several shows that were presented there in November 2018.