Regan Postma-Montaño reports on the 2018 Latinx Theatre Commons' Carnaval of New Latinx Work, which took place on 19-21 July in Chicago, Illinois.

Playwright Georgina Escobar reflects on the curation of the 2018 Latinx Theatre Commons (LTC) Carnaval of New Latinx Work: ¡ConeXión!, which took place 19-21 July 2018 in Chicago, Illinois. / Escritora Georgina Escobar refleja sobre la curación del 2018 Latinx Theatre Commons Carnaval de Obras Nuevas, cual fue el 19-21 de Julio del 2018 en Chicago, Illinois.

Announcing the twenty-four finalists for the 2018 LTC Carnaval of New Latinx Work, which will be held 19-21 July 2018 in Chicago, Illinois. 

Caroline Prugh discusses Kaimera Productions’ SPACES, a site-specific performance weaving together storytelling and dance that took place in June 2017 at the Harlem Arts Festival in New York City.

Nate Eppler shares how Ingram New Works Lab in Tennessee is helping playwrights build a creative home that both feeds the soul and the stomach.

Robert Duffley reflects on four shows from the 2017 Divine Theatre Comedy Festival in Kraków, Poland.

Jonathan Mandell looks at six theatre pieces in January that used words in unorthodox ways—as gibberish, or out-of-sync with the action; some didn’t use words at all.

Artistic Director Travis Preston on the cross-cultural collaboration of bringing Fantômas: Revenge of the Image from CalArts to the Wuzhen Theatre Festival.

Carla Della Gatta and Marci R. McMahon look back on the 2017 Encuentro de las Américas International Theatre Festival that took place 2-12 November at the Latino Theatre Center in Los Angeles, California.

Maria Patrice Amon describes how she developed and produced San Diego Repertory Theatre’s first Latinx New Play Festival. 

Jonathan Mandell looks at the Future of Storytelling festival in Staten Island, New York, which featured exhibits, productions, and performances using virtual reality, augmented reality, and mixed reality techniques and technology.

Williams and Shakespeare at The 12th Annual Provincetown Tennessee Williams Theater Festival.

North Carolina based theatremaker Katy Koop reflects on the impact of the Women’s Theatre Festival on Raleigh’s theatre community since its launch in 2016.  

Robert Hubbard reports on reimagining Shakespeare at the Minnesota Fringe Festival.

Ambassador Cynthia P. Schneider, who attended the AsiaTOPA Performance Festival in Australia, reflects how as the United States devalues diversity and imposes restrictions on immigration, Australia recognizes the value of its relationship with its Asian neighbors, and of its own diverse population.

Abigail Vega writes about the process for choosing shows for the 2017 Encuentro de las Américas festival. / Abigail Vega escribe sobre el proceso de selección de obras para el festival Encuentro de las Américas 2017. 

World Fringe Day is July 11, 2017.

Airness uses air guitar to ask what is real. The answer: the families we make.

Jamie Gahlon, Senior Creative Producer of HowlRound, reports on a trip she took in fall 2016 to explore, deepen, and build partnerships with theatremakers and organizations in Eastern Europe.