Festivals, often organized within a specific geographic community or around a theme, are a great way for different works to be in conversation with each other. Content in this section primarily focuses around recapping theatre festivals and analyzing multiple works that were featured.
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The Latinx Theatre Commons presented the 2015 Carnaval of New Latina/o Work—a showcase of new work by Latina/o playwrights and theatremakers in the United States—livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv Thursday 23 July to Saturday 25 July. Download the full Carnaval program here.
Patricia Davis on Teatro de la Luna’s US premiere of the Spanish language solo play, Maria Magdalen, La Mujer Borrada written and directed by Viviana Cordero.
Bertie Ferdman interviews Ilan Bachrach, founder and Artistic Director of Mass Live Arts, a festival of contemporary and experimental performance in Great Barrington, MA.
In this installment, David Dudley talks with Goddard’s Elena Georgiou about the benefits of earning an MFA in a low-residency model, and how that can help shape a writer’s voice.
The twelve plays to be showcased at Carnaval 2015 are just the tip of the iceberg. The totality of the plays submitted for consideration represents the depth and breadth of artistic ambition within the Latina/o theatremaking community.
South Coast Repertory in Costa Mesa, California presented the playwrights panel Who Do You Write For? livestreamed on Sunday 26 April at 9 a.m. PDT (Los Angeles) / 11 a.m. CDT (Chicago) / 12 p.m. EDT (New York) / 16:00 GMT / 5 p.m. BST (London). In Twitter, use #howlround.
The William Inge Center for the Arts in Independence, Kansas presented The 34th William Inge Theater Festival and Conference livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 17 April and on Sunday 19 April.
Torange discusses productions she saw in Tehran that premiered outside the Festival, and the impact of the political and economic climate on making theatre in Iran.
The 33rd Fadjr International Theater Festival, Iran’s most visible dramatic showcase, opened ran in Tehran January 21-February 1, 2015. It featured eighty plays from Iran and eleven from Europe and the Middle East, and no representation from the United States.
Canada's SpiderWebShow and The Collaborations through Canada’s National Arts Centre English Theatre presented the convening The Republic of Inclusionabout accessibility and live performance from SummerWorks / The Theatre Centre’s Progress International Festival of Performance and Ideas in Toronto livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 15 February at 1 p.m.-5 p.m. EST (Toronto) / 11 a.m.-3 p.m. MST (Calgary) / 10 a.m.-2 p.m. PST (Vancouver) / 18:00-22:00 GMT (London).
Enrique's Journey, directed and adapted by Anthony J. Garcia, is based on Pulitzer Prize-winning book of the same name by Sonia Nazario. The third production of Enrique’s Journey took place at the LATC's Encuentro 2014, performed by Su Teatro.
Teatro del Sol's Mariela en el desierto is a fantastic philosophical meditation on art and women artists obscured by the ambition of their partners, inhibited creativity, truth, beauty, and the sacrifices we make for our loved ones.
Whirligig Productions, Shrewd Productions, and Fusebox presented Deus Ex Machina from Austin, Texas livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 18 January at 23:00 GMT (London)/ 6 p.m. EST (New York)/ 5 p.m. CST (Austin)/ 3 p.m. PST (Vancouver). Click here to view the livestream. Send text messages to +(1) 512-872-4637 during the performance.
About Productions has been staging plays since 1988 about historical characters like Joan of Arc and Antonin Artaud. Properties of Silence turned into an exciting flight into the depths of Sor Juana’s legacy.
CultureHub SeoulArts/La MaMa in New York City presentedSurveillance Salon curated by Anna Barsan at the art and technology festival Refest 2014 livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 22 November at 2 p.m. PST (Vancouver) / 4 p.m. CST (Austin) / 5 p.m. EST (New York) / 22:00 GMT (London).
This manifesto was delivered by José Luis Valenzuela as part of the opening session of the Latina/o Theatre Commons National Convening held at the Los Angeles Theatre Center’s Encuentro 2014 on Thursday, November 6, 2014.