Interviews

Ann James interviews Cha Ramos about her approach to intimacy direction, which pulls from Cha’s multidisciplinary theatrical career, her Cuban American upbringing, and—perhaps most crucially—her intentional rediscovery of spirituality as an essential part of artistic practice.

Ann James talks to Adi Cabral about Cabral’s path though the intimacy industry. As a practitioner and professor, Cabral approaches intimacy choreography by centering harm prevention while working to create opportunities for students to identify and grow within their boundaries.

Ann James chats with Jyreika Guest, who works as both an intimacy specialist and an actor, about framing intimacy work for actors. Jyreika shares her hopes for a future in which consent is an automatic part of rehearsal processes.

Ann James sits down with intimacy choreographer Raja Benz to discuss her experience implementing cultures of consent in rehearsal rooms, cultivating a localized approach to intimacy work, and centering trans perspectives in theatrical processes.

Ann James interviews Brooke Haney, creator of The Actor’s Warm Down, about closure practices in intimacy practice, when to pass work to someone else, and the need to represent queer stories through an authentically queer lens.

Ann James chats with Rocio Mendez about her work as an intimacy director, connections between intimacy choreography and fight direction, and getting excited about theatre’s fieldwide trend toward including intimacy specialists in production teams.

Ann James interviews Kaja Dunn, who works both as an intimacy specialist and a scholar of race and choreography, about her decade-long path through the intimacy industry. They discuss the way to bring intimacy professionals into a production process, the importance of citing Black women’s contributions to the field, and the need diversify who is telling stories on our stages.

Ann James sits down with Chelsey Morgan to discuss the way their background in multiple intimacy work methodologies informs their work as a facilitator, director, writer, and intimacy specialist. Across all their work, Chelsey curates a practice that individualizes approaches to intimacy based on the needs of both the actors and the story.

Michelle Haner interviews Moïse Touré, artistic director of Les Inachevés, about the company’s ongoing project on the theme of hospitality and the decision to reframe the company’s work as a laboratory.

Lauren E. Turner, producing artistic director of No Dream Deferred, sits down with Amelia Parenteau to discuss their recent experiences in anti-racist facilitation work through No Dream Deferred’s service, Equity and Justice for Institutional Change.

Gathering Ground Theatre—an Austin, Texas collective comprised of people with lived experiences of homelessness and allies—creates performances that aim to influence public opinion and local legislation. Anna Rogelio Joaquin sits down with Lisa Hoelscher to discuss Lisa’s experience as a co-creator and performer of works that expose issues like hostile architecture and camping bans, as well as the company’s current work on a memorial performance.

In 2021, Nigerian director Josephine Awele Odunze directed a powerful production of Wedlock of the Gods by Zulu Sofola. Odunze sits down with Eseovwe Emakunu to discuss the play’s connections to issues Nigerian women face today, as well as her hopes that theatre can contribute to attaining true gender parity in Nigeria.

Danielle Iwata sits down with Amy Zhang to discuss the creation and significance of her show Ascend!, which featured a cast and crew entirely made up of Asian women.

Gabriel Augusto Liparini Queiroz sits down with Adilson Siqueira, Aneliza Rodrigues Prado, and Patrick Veniali da Silva to discuss their work at the Laboratory of Ecopoetics (ECOLAB) at the Federal University of São João del-Rei. They share their research on the concept of the corpo quebrada—literally the “bent body”—which responds to ecological crisis by embodying resilience and flexibility.

Carlyle Brown’s Down in Mississippi is a celebration of a movement that gave birth to the Civil Rights Act of 1964 and the Voting Rights Act of 1965. Brown sat down with Todd London in October 2020 to discuss the creative process, historical context, and contemporary resonance of his play.

Michael Dewhatley sits down with playwright and director KJ Sanchez to talk about her experiences making plays based on real events. They discuss process, responsibility, perspective, and how to create without an agenda.

Ronee Penoi and Shanta Thake discuss their transitions into new leadership roles as Director of Artistic Programming at ArtsEmerson and Chief Artistic Officer of Lincoln Center, respectively—including their work to shift narratives on stage, see institutions as community resources, and keep deep listening at the core of their leadership practices.