Theatre History

In this episode, Jordan Ealey and Leticia Ridley look at the life and legacy of playwright Robbie McCauley, who recently passed away. They discuss her work as a pioneer of solo performance as a Black woman and how she impacted the world of Black feminist theatre.

In this episode, Leticia and Jordan finally explain what they mean when they say Black feminism, especially in theatre and performance. They engage Lisa M. Anderson’s tenets of Black feminist drama, alongside other contemporary scholars and artists expansion of Black feminist theatre. They discuss Black feminist theory, black feminist practice in creative work, and black feminist theatre theory.

This episode honors the life and work of composer, writer, and performer Micki Grant, who passed away in August 2021. Grant was the first Black woman to write and compose a musical that made it to Broadway, and she is also the subject of Jordan's dissertation.

This episode explores the recent revival of Ntozake Shange’s for colored girls who have considered suicide / when the rainbow is enuf, directed and choreographed by Camille A. Brown. Hosts Leticia Ridley and Jordan Ealey contextualize the production, its ongoing relevance and legacy, and its resonance in Black feminist theatre, dance, and performance.

As a part of the New Deal, the Federal Theatre Project of the 1930s funded theatre in the United States at an unprecedented level, providing paid work for trained theatremakers and low-cost performances to audiences all around the country. Corinna Schulenberg and Dr. Elizabeth A. Osborne discuss the history of the Federal Theatre Project and its potential to act as a model for a New Federal Theatre Project formed in conjunction with racial justice, climate justice, and Land Back movements.

Shakespeare looms large over both the American and British theatre scenes. But his outsize influence means that we’ve long neglected a dizzying array of fascinating and brilliant theatre written by other early modern England dramatists. Robert Crighton and the Beyond Shakespeare Company are working to remedy this, and Robert joins us for this episode to discuss how they’re trying to expand our awareness of the theatre of this era.

The ancient Roman comedies of Plautus have inspired playwrights from Shakespeare to Sondheim. But they've also been seen as grim reminders of the oftentimes horrifying world of ancient Rome, where violence and slavery were commonplace. Dr. Amy Richlin joins Mike Lueger to talk about her book Slave Theater in the Roman Republic, which explores how Plautus's plays gave voice to enslaved persons during this era.

In the nineteenth century, Charlotte Cushman became United States’ first celebrity actress. Tana Wojczuk, who has written a new biography of Cushman, joins the Mike Lueger to talk about the actress’s remarkable life both on stage and off.

As the University of Pittsburgh prepares to make August Wilson’s archive publicly accessible, Dr. Sandra G. Shannon and William Daw join Mike Leuger to discuss Wilson’s flourishing legacy.

In this week’s Theatre History Podcast, Dr. Megan Sanborn Jones discusses the history of Mormons in theatre and the pageant tradition in the Church of Jesus Christ of Latter-day Saints. Through her deep research on these pageants, Dr. Jones explores the unique fusion of faith, history, and performance in Mormon pageantry.

Michael Lueger is joined by director, performer, and educator Dr. Rachel Blackburn to discuss diversity and intersectionality within the stand-up comedy world and how comics are engaging with social issues and movements.

The Daughters of Lorraine Podcast returns for another episode where hosts Jordan Ealey and Leticia Ridely discuss Lorraine Hansberry's life, legacy, and other works of theatre and literature.