Theatre History

Filmmaker Tracy Heather Strain talks about her new documentary Sighted Eyes/Feeling Heart, which explores the life and work of playwright Lorraine Hansberry.

Dr. Noe Montez of Tufts University joins us to talk about how Argentina's theatre have dealt with the legacy of the country's period of military dictatorship.

Amy Meyer joins us to talk about acrobatic accidents in the nineteenth and early twentieth centuries, as well as what they tell us about our appetite for risky entertainment.

Dr. Sharrell Luckett joins us to discuss her new book Black Acting Methods: Critical Approaches.

Dr. Erin Mee of New York University joins us for the second part of our series on Indian theatre. In this episode, she explains how modern Indian theatre developed in the decades before and after independence.

Dr. Erin Mee of New York University joins us to discuss kutiyattam, a style of theatre from southwestern India that brings ancient Sanskrit dramas to life.

Dr. Paul Walsh of the Yale School of Drama joins us to discuss his work translating Henrik Ibsen's An Enemy of the People for the opening production of the Yale Repertory Theatre's 52nd season.

A Theatre History Podcast announcement from Michael Lueger. 

Madeline Sayet joins us to talk about how she's producing Shakespeare's work with Native American artists to place them in a new, more diverse context.

David Coates talks about his research into amateur theatricals in the nineteenth century.

Dr. Eric Colleary, Cline Curator of Theater and Performing Arts at the Harry Ransom Center at the University of Texas at Austin, introduces us to the treasures in the center's performing arts collections.

Dr. Matthew Sergi of the University of Toronto talks about medieval morality plays, and how performing them today gives us unexpected insights into our own world.

In this episode, Michael Lueger talks to author Eleanor Fitzsimons about Oscar Wilde and his working relationship with Sarah Bernhardt.

Dr. Joseph F. Stephenson of Abilene Christian University talks about The Dutch Lady, an anonymous Restoration-era play in the holdings of the Boston Public Library that he's both editing and helping to stage.

James White talks about restoring the Alexandra Palace, a massive entertainment complex built in the 1870s.