U.S. by State

Pregones Theater and Roadside Theater review their twenty-one-year artistic collaboration and their upcoming Off-Broadway production of BETSY!.

Patrick Gabridge gives a run down of the results of the New England New Play Alliance's study on new play development and attendance in the Greater Boston region. 

Ronee Penoi on Shear Madness, the longest running play in the American Theatre. 

Catherine Trieschmann tackles what happens when she leads storytelling exercises with her daughter’s Girl Scout troop, and almost all of them write about boyfriends.

Noemi de la Puente outlines her process of writing a musical comedy and the decision to self produce.

Carlton Turner's address on the state of the arts in Mississipi from the Mississipi Performing Arts Summit, held February 15-16, 2015 in Jackson, MS.

Are you looking for some hands-on experience to continue your education? Are you interested in a bird's eye view of not-for-profit theatre? Consider becoming the next HowlRound Fellow!

HowlRound is thrilled to announce the addition of our new team member, Ramona Ostrowski!

The question from TEDxBroadway 2015: What ideas about theatre can we learn from people who may never have been inside one?

The Artistic and Education Director of Steppenwolf for Young Adults  explores the  choice to program This  Is Modern Art  and the ensuing public and critical debate in  Chicago. 

Scholar and theater practitioner Erin Mee, considers how by giving time-space to the sensoria, immersive, and interactive productions are inherently rasic.

There is a sense that this piece somehow transcends theatre even as it embodies it—or, as Hamilton puts it: “This is not a moment, it’s a movement.”

Martha Steketee speaks with playwright Sean Cunningham about Here’s Hoover! The Historic Herbert Hoover 2014 Comeback Special, which recently concluded a brief run in New York City. Herbert Hoover’s return, replete with leather, works like gangbusters.

In this installation, David Dudley interviews Christopher Shinn of The New School’s MFA playwriting program about how this educational option works.

All the Lights On is a history of the Twin Cities’ theatre company Ten Thousand Things. Published by the Minnesota Historical Society Press in association with HowlRound.

Aditi Kapil's playwriting residency is helping to formulate Mixed Blood's organizational narrative through social media, press materials, and show imagery.

Christopher K. Morgan explores what it is to feel at home in a place he’s never lived, and how to use art to cure his need for home.

Dreams on the open sea are part of a larger narrative as Natasha Lee Martin, an actress, director, and teacher, performs in Confessions of a Synesthetic Sailor at TheaterLab in New York City.