The One-Minute Play Festival & InterAct Theatre Company presented The First Philadelphia One-Minute Play Festival livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 30 July 2013 at 5 p.m. PDT (San Francisco) / 7 p.m. CDT (Chicago) / 8 p.m. EDT (Philadelphia).
To participate in the online conversation use Twitter hashtags #1MPF, #howlround when you search and tweet, and follow @InterActThtrCo, @DominicDAndrea and @HowlRoundTV. If you're attending or hosting a watch party for this livestreaming event, share the news.
The KoFest in Amherst, Massachusetts presented Story Slam livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 28 July 2013 at 5 p.m. PDT (Vancouver) / 7 p.m. CDT (New Orleans) / 8 p.m. (Toronto).
This symposium at Bay Area Playwrights Festival, produced by the Playwrights Foundation, San Francisco, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 27 July at 2:00 p.m. PDT (San Francisco) / 4:00 p.m. CDT (Austin) / 5:00 p.m. EDT (Toronto) / 21:00 GMT.
Inspired by the Adele’s song for Skyfall, the artists of the new play By and By collaborated with the band The Kilbanes to reframe the experience for the audience members.
This symposium, produced by the Playwrights Foundation, San Francisco, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 26 July 2013 at 2 p.m. PDT (San Francisco) / 4 p.m. CDT (Austin) / 5 p.m. EDT (Toronto) / 21:00 GMT.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 26 June 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Jonathan Mandell writes about the inclusion of off-Broadway theaters in the Regional Theater Tony Award, and why we should end the rhetoric of us vs. New York.
Alice Stanley Jr. describes her experince at The Toch Theatre's "Improvised Book Club" and writes about how an audiences' preparation affects their involvement.
Patricia Davis reviews The Hampton Years at Theater J, and how the production's content is just as subversive as the context in which the play is being produced.
The Playwrights Foundation's Bay Area Playwrights Festival, San Francisco presented Playwrights’ Roundtable: Mapping Your Career, Taking Action livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 21 July at 10 a.m. PDT (San Francisco) / 12 p.m. CDT (New Orleans) / 1 p.m. EDT (Boston) / 17:00 GMT.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 17 July at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1)
The Living Room Theatre of Kansas City, MO presented the livestreaming of The Death of Cupid: A Whiskey Musical livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 15 July at 6 p.m. PDT (San Francisco) / 8 p.m. CDT (Kansas City) / 9 p.m. EDT (Toronto).
California Shakespeare Theater, under the direction of Jonathan Moscone, has changed route from classic work to new work that explores the diverse culture and artistry of the Golden State.
Fresh Ink Theatre and Interim Writers presented The Mad Dash: A Theatrical Endeavor in 24 Hours, bringing together the Boston theater community to write, rehearse, and mount an evening of new plays in just 24 hours, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 13 July at 5 p.m. PDT (San Francisco) / 7 p.m. CDT (Austin) / 8 p.m. EDT (Boston).
The Latino Theater Alliance/Los Angeles presented a conversation from the 2013 Encuentro livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 13 July at 10 a.m.-1 p.m. PDT (Los Angeles) / 12 p.m.-3 p.m. CDT (Chicago) / 1 p.m.-4 p.m. EDT (New York).
We need to stop asking to find space for artists of color and instead give them the space. This starts by looking at what plays we are and are not presenting.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 10 July at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Panglossian Productions in Williamsburg, Virginia presented their next Plays in Progress program with an in-person and online developmental reading of Andrew Kramer‘s new play Crying for Lions, hosted by The New Town Art Gallery livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 7 July 2013 at 10 a.m. CDT / 11 a.m. EDT / 15:00 GMT.
Strange Attractor Theatre presented their latest original performance play, Enlightenment on E Floor North, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 6 July 2013 at 7:30 p.m. AKDT (Juneau) / 10:30 p.m. CDT (Chicago) / 11:30 p.m. EDT (Providence, RI).
Simultaneous to Strange Attractor’s performance in Juneau, AK, they will host a live viewing party at the Empire Black Box at 95 Empire St in Providence, Rhode Island.
