Working Theater randomly selects seven directors to direct seven commissioned plays in a week, for their Directors Salon as an opportunity to help directors "break into the business"
The Dallas Latino Cultural Center presents a Conversation With Luis Valdez, Founding Artistic Director Of El Teatro Campesino, as a part of their Lecture Series symposium on the state of Latino theatre in the United States livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 7 June 2013 at 5 p.m. PDT (San Francisco) / 7 p.m. CDT (Chicago) / 8 p.m. EDT (New York).
Dallas Latino Cultural Center presented the Teatro Alianza of North Texas Organizations meeting livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 7 June at 2 p.m.-4:30 p.m. PDT (San Francisco) / 4 p.m.-6:30 p.m. CDT (Chicago) / 5pm-7:30 pm EDT (New York). To participate in online conversation, search and use Twitter hashtag #howlround in your tweets.
W.M. Akers examines immortality in Lucas Hnath's A Public Reading Of an Unproduced Screenplay About the Death of Walt Disney, questioning can our creations keep us here after we have past?
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 5 June 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1)
Alice Stanley writes about experiencing Chuck Mee's soot and spit, an experimental play about the artist James Castle featuring deaf and cognitively challenged actors.
Holly Derr reports from LA Stage Day, where a lack of female playwrights demonstrates a larger problem: if LA has so many female writers, then how come none of them are getting produced?
Andrew Alexander looks at Atlanta-based theatre company Saiah, which took on the challenge of making a sea and whale come alive for audiences in their adaptation of Herman Melville's Moby-Dick.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 29 May 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Panglossian Productions in Williamsburg, Virginia presented a livestreaming workshop performance of Tori Keenan-Zelt’s new work The Egypt Play, or The Misses Blake on a Holiday Jihad livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 25 May 2013 at 4:30 p.m. PDT (San Francisco) / 6:30 p.m. CDT (Chicago) / 7:30 p.m. EDT (New York) / 23:30 GMT. View a conversion into your local time.
Metropolitan Community College presented the Great Plains Theatre Conference livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 25 May 2013 at 10:30 a.m. PDT (San Francisco) / 12:30 p.m. CDT (Omaha) / 1:30 p.m. EDT (New York) / 17:30 GMT. Convert into your local time.
Dramatists Guild of America presented Social Media from the Playwright’s Perspective livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 21 May 2013 at 2:30 p.m. PDT (San Francisco) / 4:30 p.m. CDT (Austin) / 5:30 p.m. EDT (New York) / 21:30 GMT / 10:30 p.m. BST (London). View the conversion into your local time here.
Arena Stage at the Mead Center for American Theater presented the third annual Voices of Now Festival livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 17 May 2013 at 4:30 p.m. PDT / 6:30 p.m. CDT / 7:30 p.m. EDT / 23:30 GMT. View the conversion into your local time.
A Conversation With Bartlett Sherco-hosted by Dramatists Guild of America and Harvardwood livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Thursday 16 May 2013 at 3:30 p.m. PDT (Los Angeles) / 5:30 p.m. CDT (Austin) / 6:30 p.m. EDT (New York) / 22:30 GMT / 11:30 p.m. BST (London). View a conversion into your local time.
W.M. Akers looks at how this immersive musical from Alex Timbers, David Byrne, Annie-B Parson and Fatboy Slim tells Imelda Marcos' story through disco, audience involvement, and theatrical hypnotism.
CENTERSTAGE in Baltimore presented a discussion with playwrights on “Expanding the African American Narrative,”livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Wednesday 15 May 2013 at 3:45 p.m. PDT (Los Angeles) / 5:45 p.m. CDT (Chicago) / 6:45 p.m. EDT (Baltimore) / 22:45 GMT / 11:45 p.m. BST (London). View a conversion into your local time.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 15 May 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1
Tennessee Rep in Nashville presented the Ingram New Works Festival livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv from Saturday 11 May through Tuesday 14 May 2013.
Florida Studio Theatre in Sarasota presented the annual Young Playwrights Festival livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 11 May beginning at 7 a.m. PDT (San Francisco) / 9 a.m. CDT (Chicago) / 10 a.m. EDT (New York) / 14:00 GMT / 3 p.m. BST (London).
Chris Garza discusses Intermedia Arts and Freestyle Theatre’s recent production about the politics of skin in the United States, which makes the audience question the validity in saying the US is a “post-racial” society.
