Culturehub SeoulArts/La MaMa presents the livestreaming performance of Ghost Komungobot by composer Jin Hi Kim (Composers Now Creative Resident 2015, Guggenheim Fellowship 2010) in collaboration with acclaimed visualist Benton C Bainbridge (Beastie Boys, MOMA, The Whitney Museum), and sound designer Alex Noyes. Livestreaming as part of Culturehub's Refest on the global, commons-based peer produced HowlRound TV network at howlround.tv on Saturday, December 12 at 5pm PST (Los Angeles) / 7pm CST (Chicago) / 8pm EST (New York).
Lynn Mullin kicks off this week’s series on Senior Theatre by discussing the changing age demographics in the US, and how theatre can have a part in enriching older adults’ quality of life.
Ali Stroker is currently starring in Deaf West’s acclaimed Broadway production of Spring Awakening. She is the first leading actor in a wheelchair on Broadway. She’s part-trailblazer, part-advocate, part-instigator and all artist.
In this installment of the series on Cornerstone’s California: The Tempest tour, stage manager Nikki Hyde discusses what she’s learned from her bird’s eye view.
Did 2014 reflect a kind of final critical understanding of Eno’s subject matter? Are we all finally ready to experience with him, according to his rhythms and speech patterns, the gentle devastation of small town family life? Perhaps yes to all of the above.
The Martin E. Segal Theatre Center in New York City presented the Italian Playwrights Project livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 7 December at 3:30 p.m. PST (San Francisco) / 5:30 p.m. CST (Chicago) / 6:30 p.m. EST (New York). In Twitter, use #howlround to join the conversation.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 7 December at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Entering the Unknown, and Fostering the Conditions for Creativity in the Theatre
7 December 2015
Ben Yalom kicks off his series on ensemble theatre with this discussion of the differences between traditional and collaborative creative approaches to theatre.
With The Builders Association (New York) & Nibroll (Tokyo)
Thursday 3 December 2015
New York, NY, United States
The Martin E. Segal Theatre Center in New York City presented a performance of A Quiet Day and a conversation about Performance Robot Dramaturgy livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Thursday 3 December 3 at 2 p.m. PST (Vancouver) / 4 p.m. CST (Chicago) / 5 p.m. EST New York / 22:00 GMT (London). In Twitter, use #howlround.
Today is the first part of a two part interview with three members of the PigPen Theatre Co. (Ryan Melia, Arya Shahi and Dan Weschler). We discuss actual Rat Kings, the ‘tiering’ of Drama Schools and finding your own identity in the actor training process.
Jonathan Mandell reviews the Second Stage production of Invisible Thread, a musical based on the real-life experience of theatre artists Matt Gould and Griffin Matthews creating a charity in Uganda.
Researchers Sumru Erkut and Ineke Ceder discuss their study and offer suggestions for including more women and people of color in leadership positions in US regional theatres.
