Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 22 February at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
From Panza to Las Hociconas: Performance Pedagogy in the Chicana/o Studies Classroom
22 February 2016
Magda García writes about how, as a teaching assistant, she incorporated a performance element into an undergraduate Intro to Chicana/o Studies course at University of California Santa Barbara.
Playwright Damon Falke discusses his play Laura, or Scenes from a Common World and how “Apollo and Daphne” from Ovid’s Metamorphoses inspired his work.
Malesha Taylor shares her experience working in audience development and emphasizes the need for regional theatres to continue building relationships with diverse audiences.
In the first installment of her new series, Joan Marie Hurwit writes about spending time in Portland, Oregon, and how art is playing a role in a city in transition.
With Ayad Akhtar, Pulitzer Prize-winning Playwright of Disgraced
Monday 15 February 2016
St. Louis, MO, United States
The Repertory Theatre of St. Louis presented the panel discussion Public Perceptions of Islam in Post-9/11 America livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 15 February at 8:30 p.m. EST (New York) / 7:30 p.m. CST (Chicago) / 5:30 p.m. PST (Los Angeles). In Twitter, follow @howlroundtv and use hashtag #howlround.
Livestreamed a memorial concert, celebrating the life and work of internationally renowned award-winning composer Elizabeth Swadosfeaturing performers, speakers, and artists who have worked with Liz over the course of her extensive career in a diversity of artistic communities. The event broadcasted from the Ellen Stewart Theatre at La MaMa ETC in New York City on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 14 February at 20:00 GMT (London) / 3 p.m. EST (New York) / 2 p.m. CST (Chicago) / 12 p.m. PST (Los Angeles).
In this last installment, Producing Artistic Director Tami Dixon reflects on the role of the actor’s relationship with audience members in immersive theatre.
Emerson College in Boston presented a conversation with Carey Perloff, Artistic Director of American Conservatory Theater in San Francisco livestreamed on the global, commons-based peer-produced HowlRound TV at howlround.tv on Friday 12 February at 7 a.m. PST (Los Angeles) / 9 a.m. CST (Chicago) / 10 a.m. EST (New York) / 15:00 GMT (London). In Twitter, follow @howlroundtv and use #howlround.
Billy McEntee traces the social history connected to Arthur Miller’s The Crucible, which premiered on Broadway in 1953 during the height of McCarthyism.
ArtsEmerson in Boston presented the panel discussion Interrogating Whiteness Part II: Controversies and Interventions in the Theatre livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Tuesday 9 February. In Twitter, use #howlround to participate in the conversation and follow @howlroundtv.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 8 February at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1)
