Noe Montez interviews ensemble members from New York's Pregones Theatre on Dancing in My Cockroach Killers, which ran from 7 June to 1 July 2018 at the GALA Theatre in Washington, DC.

Caitlin Cassidy discusses ten principles and practices she's learned as an artist working at the intersection of arts and cross-cultural exchange, and as one of Georgetown University's Laboratory for Global Performance & Politics Fellows.

Rachael Carnes discusses organizing Playwrights Say Never Again to School Shootings, a new anthology of work on gun violence by nineteen playwrights with readings all over the United States.

DC based playwright Annalisa Dias interviews fellow The Welders collective member Deb Sivigny on the world premiere of her new play, Hello My Name Is....

An interview with Ari Roth, artistic director of Mosaic Theater Company in Washington, DC.

Sara Brookner writes about her experiences and take-aways from participating in National Arts Advocacy Day in Washington, DC, and Arts Matter Advocacy Day in Boston, MA.

Distinguished Professor in the Practice of Diplomacy at Georgetown University, writes about the value of theatre as cultural diplomacy, and the Laboratory for Global Performance and Politics' World Theatre Day event celebrating A Raisin in the Sun.

In the final installment of this series—a collaboration with SpiderWebShow—Aislinn Rose describes her experience and revelations at the Women's March in Washington, DC.

Holly Derr writes about Jacqueline E. Lawton’s new play at Arena Stage, part of their Power Plays commissioning initiative.

Teresa A. Fisher discusses International Playwrights’ Intensive, a new play development program that facilitates international collaboration for theatre for young audiences. 

Jose Delgado celebrates Luis Valdez being awarded the National Medal of Arts and reflects on the work they've done together.

HowlRound Associate Producer Ramona Ostrowski on attending the Remembering Zelda events at Arena Stage and how Zelda Fichandler’s example and words are a balm and a spark to her own work as a theatre practitioner.

Patricia Davis on Keegan Theatre’s production of What We’re Up Against by Theresa Rebeck, directed by Susan Marie Rhea.

Theatre marketing consultant Alli Houseworth calls for marketing and audience engagement to come together, the first in a series of articles about Triple Play, a project with Theatre Development Fund and Theatre Bay Area exploring the relationship between playwrights, theatres, and audiences.

Maegan Clearwood on the all-male production of Taming of the Shrew, directed by Ed Sylvanus Iskandar at the Shakespeare Theatre Company in Washington, DC.

The work and life of Zelda Fichandler permeate the values and purpose of HowlRound. She was a significant inspiration for how we imagined our intervention into the theatre. Her rigorous thinking and her visionary artistry will continue to influence how we move forward. We republish her words in honor of her memory and as a celebration of her brilliance.—HowlRound

Izzi D'Esposito interviews Jon Klein about the Playwriting MFA program at Catholic University of America.

Marcina Zaccaria discusses Rolando Sanz’s role in producing and presenting the opera I Am Anne Hutchinson/I Am Harvey Milk by Andrew Lippa.

In this installment of his Strange Eventful History series, Michael Lueger discusses the assassination of Abraham Lincoln during the comedy Our American Cousin at Ford’s Theatre, and traces the lives of the actors and producers involved with the show. 

Patricia Davis on Ambassador Theater’s production of They Don’t Pay? We Won’t Pay! by Dario Fo in Washington, DC.

Miriam Weisfeld and Robert O'Hara express the mutual benefits of their collaboration through the Playwright Residency.