Keith Barker and Lindsay Lachance talk about the challenges and rewards of working in mixed company with Indigenous and non-Indigenous artists, including what it’s like to navigate work with sensitive subject matter, including Indigenous histories and colonization.

Esther Fernández discusses how the emerging field of transnational studies is illuminating when it comes to early modern Hispanic theatre and uses productions of Sor Juana’s The House of Desires to dive into the topic.

In part two of their conversation, Vera Starbard and Pearl Cleage—playwrights-in-residence at Juneau, Alaska’s Perseverance Theatre and Atlanta, Georgia’s Alliance Theatre, respectively—talk about different cultural practices, the white gaze, moving away from anger, and more.

In part one of their conversation, playwrights Vera Starbard and Pearl Cleage talk about their respective residencies—at Juneau, Alaska’s Perseverance Theatre and Atlanta, Georgia’s Alliance Theatre, respectively—race and representation at their institutions, not writing for a white audience, and more.

Amelia Parenteau discusses the Actions Caribéennes Théâtrales festival, which brought together francophones, francophiles, and theatre folks from around the world to witness staged readings of six French Caribbean plays in English translation.

Matthew McMahan talks to playwright Herbert Siguenza about branching out as a solo writer after years as a member of Culture Clash, writing bilingual comedy, and more.

Amanda Shank, associate artistic director of California’s CalArts Center for New Performance, talks about bringing an international, cross-cultural collaboration to life with Warsaw’s STUDIO teatrgaleria.

Annalisa Dias and Ronee Penoi discuss decolonizing theatre, building trust and relationships across difference, and the act of witnessing.

Ben Barson and Gizelxanath Rodriguez, part of the Afro Yaqui Music Collective, talk about artivism—what it means, what it can look like—in relation to building a jazz opera with various communities around the world.

May Antaki reflects on the Digital + Performance Convening, produced by HowlRound Theatre Commons and SpiderWebShow Performance, which focused on the intersection of digital technology and live performance.

verity healey does a deep-dive into the Our Stage – 4th European Bürgerbühne Festival, which took place in Dresden, Germany, in May 2019.

Alex Ates reflects on the Toddler Takeover at Atlanta, Georgia’s Alliance Theatre and shares what the growing field of theatre for the very young can teach adult theatremakers about their craft.

Emily Garside discusses Y Brain/Kargalar, in which the playwright, Turkish refugee Meltem Arikan, who settled in Wales, explores her conflicting identities. 

Bri Ng Schwartz looks at the importance of companies doing the hard work when it comes to equity, diversity, and inclusion conversations and initiatives.

Karen Malpede sits down to talk with Kosovar playwright and provocateur Jeton Neziraj about freedom and theatre.

verity healey looks at how refugees in Paris are using theatre to create connections, break down barriers, and find community.

Costume designer Valerie St. Pierre Smith explores the major issue of cultural appropriation in costume and fashion design, touching on every aspect of the production process, from research to execution.

Egyptian American playwright Adam A. Elsayigh uses the 2018 Cairo Festival for Contemporary & Experimental Theatre as a jumping off point to discuss the state of theatre in the city, censorship, playwriting, and more.