A three-day summit and arts-integrated experience examining issues of equity both in, and through, the arts.
Friday 22 March 2019 and Saturday 23 March 2019
Arts Connect International presented the Arts Equity Summit livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 22 March 2019 and Saturday 23 March 2019.
Performance of 55 Shades of Gay: Balkan Spring of Sexual Revolution by Qendra Multimedia (Kosovo)
Presented by La MaMa Experimental Theatre Club
Sunday 10 March 2019
New York City
La MaMa Experimental Theatre Club in New York City presented a performance of 55 Shades of Gay: Balkan Spring of Sexual Revolutionby Qendra Multimedia (Kosovo) livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv Sunday 10 March 2019 at 12 p.m. PDT (Los Angeles) / 3 p.m. EDT (New York) / 19:00 UTC +0 (London) / 20:00 UTC +1 (Berlin).
Scott Artley talks about the decision to wind down activities of Patrick’s Cabaret in Minneapolis after over thirty years on the scene and details the steps taken to “sunset” the organization in a respectful, beautiful way.
Looking for “Lesbians” in God of Vengeance and Indecent
3 July 2018
Writer Warren Hoffman dives into the history of God of Vengeance, the Yiddish play from 1907 that inspired Paula Vogel's Indecent, and the questions around language and sexuality the play raised and continues to raise.
Rediscovering Weimar Operetta with Dr. Kevin Clarke
17 April 2018
Dr. Kevin Clarke of the Operetta Research Center introduces us to Weimar-era operetta, which pushed artistic and social boundaries and is finally enjoying an artistic and scholarly reappraisal after decades of neglect.
Social researcher Bincy Mary George details the history of the proscenium theatre in India and explores what independent artists and festivals like the Delhi International Queer Theatre and Film Festival are doing to change cultural norms.
Alej Bustillos, Jr. discusses documenting and translating his lived experience in the field of theatre arts and performance studies by referencing scholars in the field and his own ethnographic scholarship methodologies.