In this installment, Koy Suntichotinun discusses his process for creating a performance piece interpreting Aaron Weissman’s State Park, in which he incorporates social media.
Join History Matters/Back to the Future for the award presentation and staged reading of the inaugural Judith Barlow Prize winning one-act play Her Own Devicesby Catholic University of America student Lindsay Adams livestreamed for the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 29 April at 7 p.m. EDT (New York) / 6 p.m. CDT (Chicago) / 4 p.m. PDT (Los Angeles) / 23:00 GMT. On Twitter use @History2Future, #womenplaywrights, and #Judithbarlowprize.
Alex Goldberg wonders if it's possible for a playwright to be wrong about an aspect of his or her own play, and describes a fraught production process.
The Martin E. Segal Theatre Center presented PEN World Voices: International Play Festival 2016 livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Wednesday 27 April to Friday 29 April. On Twitter use #HowlRound.
Playwright Natalie Sacks shares her post-graduate experience of working various theatre jobs, her take on the “starving artist” model, and her journey to writing her first play since college.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 25 April at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The South Coast Repertory presented The Wright Stuff livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 24 April at 9 a.m. PDT (San Francisco) /11 a.m. CDT (Chicago) /12 p.m. EDT (New York) / 16:00 GMT / 5 p.m. BST (London). On Twitter, use #howlround to join the conversation.
In this first installment, Playwright Rick Stemm discusses his process for creating Heroes Must Die, a video game and production influenced by audience interaction.
The Martin E. Segal Theatre Center presented a reading of Paula Vogel's Indecent livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 18 April at 3:30 p.m. PDT (Los Angeles) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York).
The Playwrights Horizons' Antlia Pneumatica Symposium: Where the Playwright Asks the Questions with Anne Washburn livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Saturday 16 April at 21:00 BST (London) / 20:00 GMT / 4 p.m. EDT (New York) / 3 p.m. CDT (Austin) / 1 p.m. PDT (Vancouver). In Twitter, use #howlround.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 11 April at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Martin E. Segal Theatre Center in New York City presented a discussion The New Black Fest: Revolutionary Writing livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 4 April at 3:30 p.m. PDT (San Francisco) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York) / 22:30 GMT / 23:30 BST (London). On Twitter, use #howlround to join the conversation.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 4 April at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
