Presented by the Roma Heroes International Theatre Festival, Budapest, Hungary
Sunday 15 September 2019
Budapest, Hungary
Roma Heroes International Theatre Festival produced by Independent Theater Hungary presented a conversation about Giuvlipen Theatre Company's Who killed Szomna Grancsa? from Budapest, Hungary for the global, commons-based peer produced HowlRound TV network at howlround.tv Sunday 15 September 2019.
PARADAIZ in Bucharest, Romania presents a performance of American Gypsy livestreaming on the global, commons-based peer-produced HowlRound TV network on Thursday 12 September at 11 a.m. EDT (New York, UTC-4) / 15:00 UTC+0 / 17:00 CET (Berlin, UTC+2) / 18:00 EEST (Bucharest, UTC+3).
by Váróterem Projekt (Waiting Room Project) in Cluj, Romania
Thursday 30 May 2019
Cluj, Romania
Váróterem Projektpresents a performance of Unpredicted livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv from Cluj, Romania on Thursday 30 May at 1 p.m. EDT (New York UTC-4) / 17:00 UTC+0 / 6 p.m. BST (London UTC+1) / 19:00 CEST (Budapest, UTC+2) / 20:00 (Cluj, UTC+3).
A panel hosted by Játéktér Theatre Journal — Cluj, Romania
Wednesday 29 May 2019
Cluj, Romania
Játéktér theatre journal presented the panel Culture after #MeToo livestreamed from Planetarium Cafe in Cluj, Romania on the global, commons-based peer produced HowlRound TV network at howlround.tv on Wednesday 29 May 2019 at 12 p.m. EDT (New York, UTC -4) / 16:00 UTC+0 / 5 p.m. BST (London, UTC +1) / 18:00 CEST (Budapest, UTC +2) / 19:00 EEST (Cluj, UTC +3).
The World Theatre Map beta project has engaged its first cohort of twenty-eight World Theatre Map Ambassadors from twenty-four countries to direct community organizing, outreach, and feedback gathering.
The Euroregional Theatre Festival Timișoara — TESZT presented the livestreaming of a performance and video archives of panel discussions from Timișoara, Romania on the global, commons-based peer produced HowlRound TV network at howlround.tv Friday 26 May 2017. In Twitter, follow @howlround for updates.
MACAZ - Theatre Coop in Bucharest, Romania presented a performance of Temporary Residence livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Thursday 20 April at 19:00 EEST (UTC+3 Bucharest) / 18:00 CEST (UTC+2 Berlin) / 5:00 p.m. BST (UTC+1 London) / 16:00 GMT (UTC+0) / 12:00 p.m. EDT (UTC-4 New York) / 9:00 a.m. PDT (UTC-7 Los Angeles). On Twitter, follow @howlroundtv for updates and use #howlround.
IETM - International network for contemporary performing arts presented the Opening Keynote Speech of IETM Bucharest Plenary Meeting 2017 by Mircea Cărtărescu livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Thursday, April 20 at 16:00 - 17:30 EEST (Bucharest, Romania) / 9:00 a.m. - 10:30 a.m. EDT (New York) / 13:00 - 14:30 UTC-GMT / 2:00 p.m. - 3:30 p.m. BST (London) / 15:00 - 16:30 CEST (Brussels) / 23:00 - 00:30 AEST (Sydney). Share your thoughts on Twitter by using the hashtag #IETMBucharest. Follow @IETM and @HowlRoundTV for news and updates.
A report on the Temps D’Image Festival in Cluj, Romania, from the perspectives of “Surfing” fellows Sydonia Lucchesi, Sam Silbiger, and Taysha Canales.
In this installment of a new series leading up to the IETM Plenary Meeting in Bucharest, Theodor-Cristian Popescu writes about being an actor in Romania.
Jamie Gahlon, Senior Creative Producer of HowlRound, reports on a trip she took in fall 2016 to explore, deepen, and build partnerships with theatremakers and organizations in Eastern Europe.
The 21st edition of Konfrontacje Festival in Lublin, Poland presented a performance of Parental Ctrl by Groundfloor Group (Romania) livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Saturday 8 October at 18:00 CEST (Berlin) / 19:00 EEST (Bucharest) / 5 p.m. BST (London) / 16:00 UTC / 12 p.m. EDT (New York) / 9 a.m. PDT (San Francisco). Follow @HowlRoundTV and @konfrontacje on Twitter for updates.
The Martin E. Segal Theatre Center in New York City presented a reading of Gianina Carbunariu’s Mihaela, the Tiger of Our Town (Romania) livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 14 December at 3:30 p.m. PST (San Francisco) / 5:30 p.m. CST (Chicago) / 6:30 p.m. EST (New York). In Twitter, use #howlround to join the conversation.
The National Dance Center Bucharest, Romania presents Cosmin Manolescu & Mihaela Dancs’ Piece with limited responsibility livestreamed from the LIKE CNDB #1 Festival on the global, commons-based peer produced HowlRound TV network at howlround.tv on Saturday 21 March at 10:30 a.m. PDT (Los Angeles) / 12:30 p.m. CDT (Chicago) / 1:30 p.m. EDT (New York) / 17:30 GMT/UTC (London) / 18:30 CET (Paris) / 19:30 EET (Bucharest).
A Non-Verbal Theatre Performance from the Temps d’Images Festival
Sunday 16 November 2014
Cluj-Napoca, Romania
Colectiv A in Cluj-Napoca, Romania presented Hotel, a non-verbal theatre performance representative of the Romanian New Performance Wave livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 16 November at 10:30 a.m. PST (San Francisco) / 1:30 p.m. EST (New York) / 18:30 GMT (London) / 20:30 EET (Bucharest).
ColectivA in Cluj-Napoca, Romania presented Institute of Change, a non-conventional performance on gender identity, sexual, and gender taboos in contemporary Romania, based on a concept by Paul Dunca at The Independent Platform of Performing Arts/ Temps d’Images Festival livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 14 November at 10:30 a.m. PST (San Francisco) / 1:30 p.m. EST (New York) / 18:30 GMT (London) / 20:30 EET (Bucharest)
Mark Jackson reports on the "format and the values" he witnessed in Romania at the Sibiu International Theatre Festival, which is the third largest theater festival in the world.
But what interested me in that scene, besides the actual incredible fact that in a Romanian city somebody had decided to build, in 2011, a wall between “white people” and “gypsies,” was the current Romanian political discourse. And I was interested in whom I was addressing too. I realized that I was speaking, just like the current political discourse, to a middle-class of which I was a part.
