Spain

Theatremaker Sonia Carmona shares the impact storytelling can have on empowering marginalized groups of people from her own experience working on Roots and Wings, a HUMAN library from the Poligono Sur.

Pulling from works in the Independent Theater Hungary’s annual Roma Heroes International Theatre Festival, Rosamaria Kostic Cisneros discusses the ways that festival artists created and staged nuanced depictions of Roma life. Cisneros highlights several of these plays and pays particular attention to their representations of potentially taboo material.

Noémi Herczog discusses the need for greater Roma visibility on stage and introduces Roma Heroes: Five European Dramas, a new collection that anthologizes plays from the Independent Theater Hungary’s Roma Heroes International Theater Festival.

Emilio Williams sits down with Jesús Caballero to talk about the lost puppetry genre called la máquina real and Jesús’s company in Spain that works to reimagine this Baroque art form. / Emilio Williams entabla una conversación con Jesús Caballero sobre un género de teatro de títeres olvidado de nombre la máquina real y los esfuerzos de Jesús y su compañía en España por recuperar esta tradición barroca.

Esther Fernández talks about closing the gap that separates classical and contemporary theatre and discusses the piece En otro reino extraño, a polyphonic work composed of scenes from Lope de Vega’s plays; snippets of informal conversations between the actors in Zoom chats; poems transmogrified into electrocumbia, punk, and pop songs; and video montage.

Barbara Fuchs writes about Game Over, a devised piece by the Spanish company Grumelot, which was a profound exploration of storytelling across multiple platforms, including Zoom, WhatsApp, Instagram, and Spotify.

Mariela Lopez Flores speaks with Ariadna Ferreira—one of the creators of the show Mexicatas—about the realities of migration, Catalan vs. Mexican cultures, and more. / Mariela López habla con Ariadna Ferreira—una de las creadoras de la obra de teatro Mexicatas—sobre las realidades de la migración, la cultura catalana vs la cultura mexicana, y más.

Esther Fernández discusses how the emerging field of transnational studies is illuminating when it comes to early modern Hispanic theatre and uses productions of Sor Juana’s The House of Desires to dive into the topic.

Miguel Ángel Vargas unfolds the history of Gitano (Romani) theatre in Spain, from the eighteenth century to today.