New York University’s Tisch School of the Arts presented the panel Women Directors on Fornés as a Director at the Colloquium on María Irene Fornés in New York livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 15 April at 4 p.m. EDT (New York) / 3 p.m. CDT (Chicago) / 1 p.m. EDT (San Francisco).
The fifth season of Artspace’s Art Bridge program culminated in Pregones/Puerto Rican Traveling Theater and Alaska Native Heritage Center presenting an experimental workshop performance of A Tale of Two Tricksters, livestreamed from the The Bronx in New York City and Anchorage, Alaska on the global, commons-based peer produced HowlRound TV network at howlround.tv. Tune in Saturday, April 14, 2018 at 8 p.m. EDT (New York, UTC -4) / 7 p.m. CDT (Chicago, UTC -3) / 5 p.m. PDT (Los Angeles, UTC -7) / 4 p.m. AKDT (Anchorage, UTC -8).
The Latinx Theatre Commons presented the María Irene Fornés Institute Symposium livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 13 April and Saturday 14 April. Follow @HowlRound on Twitter for updates, and use #howlround and #FornesLTC18.
Holly L. Derr writes about recent cases of sexual harassment in the American theatre, and asks when and how institutions and abusers will truly be held accountable.
Artists Repertory Theatre, NAYA, and Native Arts & Cultures Foundation in Portland, Oregon presented the panel discussion “Responsibility to Represent: What is the artists responsibility to their community and how does it inspire/empower future generations of indigenous artists?” livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv Monday 9 April 2018 at 7:30 p.m. PDT (Los Angeles) / 9:30 p.m. CDT(Chicago) / 10:30 p.m. EDT (New York).
The Martin E. Segal Theatre Center presented Etel Adnan: At a Certain Hour of the Night with Klaudia Ruschkowski & Bonnie Marranca livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 9 April at 6:30 p.m. EDT (New York) / 5:30 p.m. CDT (Chicago) / 1:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
Sara Brookner interviews the steering committee of the Berkshire Leadership Summit, which brought together a hundred present and future US and Canadian women leaders to discuss equity and advancement in the theatre field.
Gab Cody reflects on the birth of The Monologue Project, an initiative that started in Pittsburgh, USA and Dallas, USA to increase the canon of audition-length monologues for women of African Descent.
Dr. Nora Williams joins us to talk about Measure (Still) for Measure, a devised theatre project in the US that revises Shakespeare's infamous "problem play" in order to engage with issues such as sexual consent.
The Martin E. Segal Theatre Center presented A Day with Meredith Monk livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 2 April at 5:30 p.m. EDT (New York) / 4:30 p.m. CDT (Chicago) / 2:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 2 April at 2 p.m. PDT (Vancouver, UTC -8) / 4 p.m. CDT (Austin, UTC -6) / 5 p.m. EDT (Montréal, UTC -5) / 9 p.m. GMT (London, UTC +0) / 22:00 CET (Berlin, UTC +1).
Holly Derr discusses the dramaturgical implications of playwright Mary Kathryn Nagle changing one of her characters to a woman in her newest play Manahatta, which premiered at Oregon Shakespeare Festival in March 2018.
Kitty Drexel writes about the failure of Andrew Lloyd Webber's Love Never Dies to accurately represent the performers with disabilities that made New York City's Coney Island famous.
Montclair State University in New Jersey presented Anger / Appetite / Ambition / ART—a Symposium on Women Innovators in the Arts livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Wednesday 28 March at 10 a.m. EDT (New York) / 9 a.m. CDT (Chicago) / 14:00 UTC / 3 p.m. BST (London, UTC+1) / 16:00 CEST (Berlin, UTC+2).
US director and health and wellness educator Molly Schenck describes five useful rehearsal techniques for ensembles to adapt when creating work around difficult topics.
HowlRound Theatre Commons presented a conversation about the National Playwright Residency Program livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 27 March at 11:15 a.m. EST (Boston) / 10:15 a.m. CST (Chicago) / 8:15 a.m. PST (San Francisco).
Playwright and professor Tammy Ryan explores three initiatives seeking to introduce historic and contemporary plays written by women (back) into the canon.
The Martin E. Segal Theatre Center presented the the 2018 Edwin Booth Award: Young Jean Lee on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 23 March at 6:30 p.m. EDT (New York) / 5:30 p.m. CDT (Chicago) / 3:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
Milwaukee Repertory Theater presented the Intersections Summit livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 23 March and Saturday 24 March 2018.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 19 March at 2 p.m. PDT (Vancouver, UTC -8) / 4 p.m. CDT (Austin, UTC -6) / 5 p.m. EDT (Montréal, UTC -5) / 9 p.m. GMT (London, UTC +0) / 22:00 CET (Berlin, UTC +1).
