The Martin E. Segal Theatre Center in New York City presented a reading and discussion about Polish-Jewish playwright Amelia Hertz (1878-1942) livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 28 March at 3:30 p.m. PDT (San Francisco) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York) / 22:30 GMT / 23:30 BST (London). On Twitter, use #howlround to join the conversation.
The VORTEX presented Persephone, a new musical by Mick D’arcy and Tyler Mabry livestreamed on the global, commons-based peer-produced HowlRound TV network at HowlRound.TV on Sunday 27 March at 6 p.m. PDT (Vancouver) / 8 p.m. CDT (Austin) / 9 p.m. EDT (New York). Use Twitter hashtag #howlround and direct comments @VORTEXonManor.
A Keynote Address at the 40th Humana Festival of New American Plays
Saturday 26 March 2016
Louisville, KY, United States
The 40th Humana Festival of New American Plays at Actors Theatre of Louisville presented Rajiv Joseph: Benefits of Self-Loathing—a keynote address livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Saturday 26 March at 7:30 a.m. PDT (Los Angeles) / 9:30 a.m. CDT (Chicago) / 10:30 a.m. EDT (New York) / 14:30 GMT (London). On Twitter, use #HumanaFest and follow @ATLouisville and @HowlRoundTV.
Paul S. Flores traces the path to creating and touring his play PLACAS through community engagment with acknowedgment and palabra, and offers suggestions to supporting peace within extremely marginalized communities in conflict when making theater.
Isabella D’Esposito kicks off a new series by discussing the common myths she’s heard repeated while she works toward an Master of Fine Arts degree in playwriting.
Visual and Media Arts Department of Emerson College in Boston presented The New England Graduate Media Symposium livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 25 March from 2 p.m.-5:15 p.m. EDT (Boston) / 11 a.m.-2:15 p.m. PDT (Los Angeles) / 18:00-21:15 GMT (London) / 19:00-22:15 CET (Amsterdam). In Twitter, use #howlround and follow @EmersonVMA and @HowlRoundTV.
Boston University presented Theatre Nohgaku's Performance and Discussion of Noh Music and a Lecture and Demonstration of Noh and Kyogen Performance Styles livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Friday 25 March and Saturday 26 March. On Twitter, use #howlround and follow @HowlRoundTV.
Playwright Matt Bardot responds to Michael Sommers’ Ropes review, while reflecting on his experience with race and identity in both the classroom and professional realm.
Roxanne Schroeder-Arce interviews her ten-year-old daughter Genevieve to get her thoughts on a recent theatre for young audiences show in Austin, Texas.
The Martin E. Segal Theatre Center in New York City presented a reading and discussion of Wolfram Lotz’s The Ridiculous Darkness livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 21 March at 3:30 p.m. PDT (San Francisco) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York) / 22:30 GMT (London) / 23:30 CET (Berlin). In Twitter, use #howlround to join the conversation.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 21 March at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Role of Latina/o Adaptations in the Teaching of Classical Theatre
19 March 2016
In this installment of the Pedagogy Notebook series, professor Carla Della Gatta writes about how she integrated Latina/o artists into a critical studies class on Greek and Roman theatre.
In this first installment, Milta Ortiz discusses the backstory of Barrio Stories, while playwrights Virginia Grise, Martín Zimmerman, and Elaine Romero talk about their collaboration for this project.
The following video is a sneak peek behind the scenes rehearsal video and includes footage from workshop presentations that took place in November 2014.
