You’re invited to join a post-reading discussion with Sarah Ruhl, Geshe Tashi Dorjee, Tenzin Gelek, and President of Tibet Fund Rinchen Dharlo livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 25 April at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles) / 01:00 GMT (Tuesday, April 26). In Twitter use #oldestboybenefit.
Playwright Natalie Sacks shares her post-graduate experience of working various theatre jobs, her take on the “starving artist” model, and her journey to writing her first play since college.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 25 April at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The South Coast Repertory presented The Wright Stuff livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 24 April at 9 a.m. PDT (San Francisco) /11 a.m. CDT (Chicago) /12 p.m. EDT (New York) / 16:00 GMT / 5 p.m. BST (London). On Twitter, use #howlround to join the conversation.
JD Caudill writes about his personal experiences navigating Chicago as an early career director, and asks how the field can better support such artists.
Kilolo Luckett and Jessica Lynne presented the inaugural By Any Means (BAM) symposium on black contemporary arts livestreamed from Pittsburgh, Pennsylvania on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 23 April from 10 a.m. EDT to 3 p.m. EDT (New York) / 7 a.m. PDT to 12 p.m. PDT (Los Angeles) / 14:00 GMT to 19:00 GMT / 3 p.m. BST to 8 p.m. BST (London). In Twitter, use #howlround and follow @howlroundtv.
The Martin E. Segal Theatre Center presented a reading of Paula Vogel's Indecent livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 18 April at 3:30 p.m. PDT (Los Angeles) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York).
The McCarter Theatre Center and Princeton University’s Lewis Center for the Arts presented The Ground on Which We Stand: Diversity and Opportunity in American Theatre, Twenty Years after August Wilson’s Foundational Speech livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 18 April at 10:30 a.m. PDT-3 p.m. PDT (Los Angeles) / 12:30 p.m. CDT-5 p.m. CDT (Chicago) / 1:30 p.m. EDT-6 p.m. EDT (New York).
In this installment, Damon Krometis discusses the Boston premiere of An Octoroon by Branden Jacobs-Jenkins, and the ways this production positioned the audience as both spectators and participants.
The Playwrights Horizons' Antlia Pneumatica Symposium: Where the Playwright Asks the Questions with Anne Washburn livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Saturday 16 April at 21:00 BST (London) / 20:00 GMT / 4 p.m. EDT (New York) / 3 p.m. CDT (Austin) / 1 p.m. PDT (Vancouver). In Twitter, use #howlround.
Christopher Goodson interviews Latina theatre artists Nelda Reyes, Rose Cano, and Carmen Aguirre about their thoughts on the current climate for Latina/o work in the Pacific Northwest.
The Martin E. Segal Theatre Center in New York City presented Spalding Gray: A Celebration of his Life and Work livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 11 April at 3:30 p.m. PDT (San Francisco) / 5:30 p.m. CDT (Chicago) / 6:30 p.m. EDT (New York) / 22:30 GMT / 23:30 BST (London). On Twitter, use #howlround to join the conversation.
