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Acting & Performance

This section contains content on the craft of acting, created by performers of all types.

The Latest

Surviving in the States: Audience Rejection on the Road with Oklahoma!
Essay
Surviving in the States: Audience Rejection on the Road with Oklahoma!
by Christopher Bannow
3 April 2023
HBCU Theatre Summit’s “To Be Young, Gifted, and Black” Monologue Showcase
Video
HBCU Theatre Summit’s “To Be Young, Gifted, and Black” Monologue Showcase
We Will Dream: New Works Festival
Saturday 15 April 2023
New Orleans, Louisiana
Imagining Creative Fat Futures
Essay
Imagining Creative Fat Futures
by Morgan Davis, Jules Vodarek Hunter
29 March 2023
Event poster for HBCU Theatre Summit.
HBCU Theatre Summit’s “To Be Young, Gifted, and Black” Monologue Showcase
Video

HBCU Theatre Summit’s “To Be Young, Gifted, and Black” Monologue Showcase

We Will Dream: New Works Festival

Saturday 15 April 2023
New Orleans, Louisiana

Featuring monologues by HBCU college students. The HBCU Theatre Summit is for Black theatre students as they navigate the world of the arts.

Two people speaking on stage with one person standing behind them.
Surviving in the States: Audience Rejection on the Road with Oklahoma!
Essay

Surviving in the States: Audience Rejection on the Road with Oklahoma!

3 April 2023

The 2022 national tour of Oklahoma! brought Daniel Fish’s critically acclaimed revival to commercial theatre audiences nationwide. Those audiences met the production with overwhelming disapproval and animosity rooted in its departures from decades-old conventions. Actor Christopher Bannow, who played Jud in the touring production, details his experience of enduring audience rejection while remaining committed to engaging audiences in challenging conversations through risky theatrical choices.

Illustration of various cushioned chairs.
Imagining Creative Fat Futures
Essay

Imagining Creative Fat Futures

29 March 2023

Morgan Davis and Jules Vodarek Hunter discuss the process of creating Fat Fables, a theatre program for fat LGBT2SQ+ artists who are twenty-nine and under.

A performer wearing black and a mask standing on top of a box with arms in the air.
Movement Is for Every Body
Essay

Movement Is for Every Body

23 March 2023

Theatre artist and educator Katie Butler discusses the need to recalibrate movement practice toward accessibility and body autonomy, and shares her own experience navigating changes in her body’s abilities.

Four senior actors stand on-stage and look at their scripts during a rehearsal.
Elder Dramaturgy
Essay

Elder Dramaturgy

7 March 2023

Playwright Carlyle Brown describes his journey with the play We Take Care of Our Own by Zainabu Jallo, detailing the joys and challenges that come from work featuring characters in their eighties and nineties.

Two performers in extravagant costumes stand on either side of a performer with both arms extended at their side.
An Artist’s Take on Disability Creativity with David Salsbery Fry
Essay

An Artist’s Take on Disability Creativity with David Salsbery Fry

22 February 2023

David Salsbery Fry’s career in opera shifted dramatically when he publicly disclosed his disability in 2015. In this candid discussion with Marianna Mott Newirth and Gregory Moomjy, co-founders of New York City’s first disability-affirmative opera company, he details his experiences navigating an industry that has not made itself fully accessible or welcoming to artists with disabilities.

Critical Stages in Malawian Contemporary Theatre teaser image with the title at the top and a picture of the guest in the middle.
Making Theatre as a Multi-Hyphenate in Malawi
Podcast

Making Theatre as a Multi-Hyphenate in Malawi

21 December 2022

Pleasant Theodore Banda led Rise Arts to its first international performance in Zimbabwe. In this interview, he discusses his path into artistic direction as an actor and playwright with a background in accounting.

A woman in a dress lying on a bench covering her face with a book.
I Don’t Think It’s Just Me Anymore: The Shift Towards Healthier Theatre Education
Essay

I Don’t Think It’s Just Me Anymore: The Shift Towards Healthier Theatre Education

12 December 2022

Theatremaker Sara Bozin reflects on her college theatre experience and shares changes she’d like to see in theatre education that prioritize students’ physical and mental health.

Five people pretending to run in the same direction in a classroom.
Dealing with the Feels: Demystifying Emotions in Acting Classes with Emotional Intelligence
Essay

Dealing with the Feels: Demystifying Emotions in Acting Classes with Emotional Intelligence

28 November 2022

Theatre artist and educator Janet Neely advocates for incorporating emotional intelligence instruction into acting training and offers insights on, and resources for, teaching emotional intelligence to students.

The cover of a book called The Wildcard Workbook: A Practical Guide for Jokering Forum Theatre. It is purple and yellow.
The Wildcard Workbook: Why Forum Theatre and Why Now?
Essay

The Wildcard Workbook: Why Forum Theatre and Why Now?

15 November 2022

Theatremakers Sulu LeoNimm, Liz Morgan, and Katy Rubin discuss the process of co-authoring The Wildcard Workbook, a guide designed to help others in the field delve into Theatre of the Oppressed practices and devised theatre processes.

Critical Stages in Malawian Contemporary Theatre teaser image with the title at the top and a picture of the guest in the middle.
Theatre Academics
Podcast

Theatre Academics

A Conversation with Roselyn Madalo Dzanja

2 November 2022

As a scholar, educator, and practitioner of theatre, Roselyn Madalo Dzanja knows Malawi’s theatrical landscape well. In this interview, she discusses challenges Malawian women face when pursuing an acting career, the need for artistic independence from international donors, possibilities for Chichewa-language drama, and more.

PUHA Podcast Teaser.
Climate Crisis
Podcast

Climate Crisis

21 October 2022

In this episode, co-hosts Bíborka and Zsófi are joined by visual and performance artist and environmental activist, Éva Bubla; dancer, choreographer, researcher, and founder of the performance research group SVUNG, Kinga Szemessy; and culture manager, event organizer, curator, founder of the PLACCC Festival, and the Hungarian liaison for the IN SITU Network, Fanni Nánay. Drawing from their individual experiences, they discuss the current climate crisis and how different artists engage with this complex issue.

event poster for COMEDY, CRUELTY, & THE CONCEPT OF REVENGE with portraits of Betty Shamieh and Allen Gilmore.
Comedy, Cruelty, and the Concept of Revenge
Video

Comedy, Cruelty, and the Concept of Revenge

Writer Betty Shamieh and Actor Allen Gilmore Discuss Their Interpretations of Malvolio as a Writer and an Actor

Wednesday 19 October 2022
United States

The Classical Theatre of Harlem presented the conversation Comedy, Cruelty, and the Concept of Revenge, livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Wednesday 19 October 2022 at 4 p.m. PDT (San Francisco, UTC -7) / 6 p.m. CDT (Chicago, UTC -5) / 7 p.m. EDT (New York, UTC -4).

A woman in a red dress.
We’re Too Fat and Too Invisible to Have a Seat at Theatre’s Table, and Now Some of Us Don’t Eat
Essay

We’re Too Fat and Too Invisible to Have a Seat at Theatre’s Table, and Now Some of Us Don’t Eat

13 October 2022

Jasmine Haley Anderson takes aim at fatphobic standards in the theatre industry, which begin fostering disordered eating in women from their earliest performance experiences.

PUHA Podcast Teaser.
Autobiography
Podcast

Autobiography

12 October 2022

In this episode, hosts Zsófi and Bíborka take apart autobiographical theatre with stage director Panni Néder, actress Judit Tarr, actor and director László Göndör, and director and dramaturg Kristóf Kelemen. Together they delve into their approach to autobiographical material, playing themselves versus acting, their lives after creating a highly personal show, and the nuances of someone else playing them onstage.

PUHA Podcast Teaser.
Disability
Podcast

Disability

5 October 2022

In this week’s episode, hosts Bíborka and Zsófi focus on different abilities and handicapped people in the performing arts. Translating their guests’ responses into English, the co-hosts sit down with independent theatremaker, poet, and dramaturg Ádám Fekete; and the core members of the ArtMan Association, Dorka Farkas, Kata Kopeczny, and Ferenc Kálmán, who work with integrated dance and movement practices to produce amazing contemporary dance shows.

PUHA Podcast Teaser.
Visual Arts
Podcast

Visual Arts

21 September 2022

In the third episode of PUHA podcast, co-hosts Zsófi and Bíborka talk to the interdisciplinary collective Hollow, the experimental scenographer Eszter Kálmán, and dancer-choreographer Beatrix Simkó. Together, they discuss how their work features across different media and mixes visual and digital art with performativity. Get ready for a journey across household noise choreographies, moving bodies in Vienna’s Leopold Museum, underground queer communities in Tbilisi, and stories of friendship and pregnancy in performance art!

PUHA Season 1 Episode 2 w/ Gergö David Farkas, Kemelo Sehlapelo, and Veronika Szabó.
Queerness and Gender
Podcast

Queerness and Gender

14 September 2022

In this week’s episode of PUHA podcast, co-hosts Bíborka and Zsófi navigate their way through a discussion of what queerness means with performer, actress, and director Veronika Szabó; contemporary dancer Kemelo Sehlapelo; and dancer, choreographer, and clubber Gergő Dávid Farkas. Together, they contemplate identities, responsibility, and the way queer people exist in society.

Two actors in their underwear caressing one another.
Celebrating the Spirit in Intimacy Work
Essay

Celebrating the Spirit in Intimacy Work

A Conversation with Cha Ramos

2 September 2022

Ann James interviews Cha Ramos about her approach to intimacy direction, which pulls from Cha’s multidisciplinary theatrical career, her Cuban American upbringing, and—perhaps most crucially—her intentional rediscovery of spirituality as an essential part of artistic practice.

A woman sits looking at a camera while two others kiss in the background.
Being Authentic in a New Theatre Practice
Essay

Being Authentic in a New Theatre Practice

A Conversation with Jyreika Guest

31 August 2022

Ann James chats with Jyreika Guest, who works as both an intimacy specialist and an actor, about framing intimacy work for actors. Jyreika shares her hopes for a future in which consent is an automatic part of rehearsal processes.

Full cast sit together for a picture.
Seeing Double: Double Consciousness as a Black Theatre Practitioner
Essay

Seeing Double: Double Consciousness as a Black Theatre Practitioner

14 July 2022

Ekemini Ekpo applies W.E.B. Dubois’ concept of “double consciousness” to the experience of performing Blackness for a predominantly white audience that may or may not be interested in disturbing the primacy of their own lived experience.

Kunafa and Shay Teaser Image.
Balancing Comedy and Drama as a MENA Playwright
Podcast

Balancing Comedy and Drama as a MENA Playwright

With Yussef El-Guindi & Leila Buck

1 June 2022

As politicized ethnic groups, playwriting comes with a sense of responsibility and history for many MENA and SWANA writers. Balancing drama and comedy in plays that deal with MENA politics, identity, and history can be difficult, but is also crucial for inviting audiences into our stories and addressing stereotypes and historical harm. Join two prominent playwrights and pillars of the MENA community, Yussef El-Guindi and Leila Buck, as we have an open conversation about how they approach their writing and reflect on what their work means in a greater societal context.

Kunafa and Shay Teaser Image.
Multihyphenate Artists
Podcast

Multihyphenate Artists

With Denmo Ibrahim and Sarah Fahmy

25 May 2022

Artistic identities can be complicated, and many theatremakers work equally within two or more disciplines simultaneously. The most interesting work is rarely created in a vacuum. These multidisciplinary artists create diverse projects in all senses of the word, broadening our idea of what theatre can and should be. Today, two such multihyphenate artists, Denmo Ibrahim and Sarah Fahmy, converse about their multiple identities, how they reconcile and manage their myriad expertise, and the role of multihyphenate artists in today’s theatre landscape.

lavender event poster for nonbinary acting methods workshop.
Nonbinary Acting Methods with Jo Michael Rezes
Video

Nonbinary Acting Methods with Jo Michael Rezes

Rezes Offers Exercises and Techniques in Performance Expansion through Gender Play, Object Study, Queer Reflections, Sense Memory, and Repetitious Failure

Friday 25 March 2022
United States

Jo Michael Rezes (they/them) presented the workshop Nonbinary Acting Methods livestreaming on the global, commons-based, peer produced HowlRound TV network on Friday 25 March 2022 at 2 p.m. PST (San Francisco, UTC -8) / 4 p.m. CST (Chicago, UTC -6) / 5 p.m. EST (New York, UTC -5).

Gender Euphoria teaser image.
Gender Euphoria, Episode 4: Training Cisgender Producers and Directors: It’s More than Remembering Pronouns
Podcast

Gender Euphoria, Episode 4: Training Cisgender Producers and Directors: It’s More than Remembering Pronouns

With Maybe Burke

3 March 2022

Gender Euphoria, the podcast, host Nicolas Shannon Savard sits down with actor, writer, and human rights advocate Maybe Burke to talk about her role at the Transgender Training Institute and their signature course, “Supporting Transgender Actors & Creatives.”