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Cross-cultural Exchange and Cultural Mobility

Content in this section focuses on theatremakers having conversations and creating work across geographical and cultural borders. There are many examples of powerful work here, but for those interested in learning more, consider starting with “Ten Transformative Ideas for Community-Building and Cross-Cultural Exchange.”

The Latest

Essay
On a Theatrical Pilgrimage to See Carolina Bianchi and Cara de Cavalo's Chapter II: The Brotherhood
by Amanda L. Andrei
6 April 2026
Essay
Presence Before Performance at ODIN HOME
by Melvin Ningyao Yen
3 March 2026
Video
A Performance of The Pelicot Trial: Tribute to Gisèle Pelicot
A Scenic Oratorio by Milo Rau and Servane Dècle 
Sunday 29 March 2026
New York City
A card with directions on it.
Essay

Interview with Team Singapore

14 August 2013

An interview with Team Singapore about their experience creating theatre that crosses borders through technology and how theatre can change the audience experience through it.

Photo from Push The Button.
Essay

Making Push the Button

13 August 2013

With one actor playing to one audience member, Garret Jon Groenvelt sought to create a play that entices the audience member to interact with the material.

Edinburgh Fringe street performers.
Essay

Feast or Binge

13 August 2013

In this first installment, Talya Kingston struggles to figure out the best way to choose from all of the possible selections to see at Edinburgh Fringe.

Photo from A Long Distance Affair.
Essay
12 August 2013

Ana Margineanu and Tamilla Woodard talk about how Skype is changing not only the creative experience for artists but also how and where audiences participate in theatre.

Still from Cooking Oil.
Essay

Cooking Oil in Kampala, Kigali, and Los Angeles

14 July 2013

Emily Mendelsohn shares insight into her experience directing Cooking Oil written by Deborah Asiimwe in Uganda.

A tunnel covered in graffiti.
Essay

Moscow

21 June 2013

Rounding out his time in Russia, Christopher White recounts the thriving artistic community in Moscow.

Video
Sunday 16 June 2013
Ashfield, MA, United States

Double Edge Theatre in Ashfield, Massachusetts presented "From the Dirty War and Beyond"—a conversation with Argentine Theatre Artists Carlos Uriona and Jorge Onofri livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 16 June 2013 at 9 a.m. PDT (San Francisco) / 11 a.m. CDT (Austin) / 12 p.m. EDT (New York) / 1 p.m. ART (Buenos Aires) / 16:00 GMT / 5 p.m. BST (London) / 6 p.m. CEST (Berlin).

The Omsk Drama Theatre.
Essay

Omsk

10 June 2013

Christopher W. White reports on his visit to the provincial city of Omsk, Russia.

Photo from a contemporary production of Hamlet.
Essay

Yekaterinburg

29 May 2013

Continuing the series, Christopher W. White reflects on his time viewing the strikingly contemporary art in Yekaterinburg

Wide photo of the Buenos Aires skyline.
Essay

The Argentine Production Model

26 May 2013

Paz Pardo explores the theatre models of the United States and Argentina.

Photo from the play Change.
Essay

Saint Petersburg

23 May 2013

Christopher White in his quick trip to St. Petersburg- a “museum city”-found the mainstream theaters to be both devoted to Russian classics and visually immersive theatre.

A statue and the Capitol building in Austin, Texas.
Essay
15 April 2013

Robert Matney writes about the various ways in which theater companies are adapting and thriving by incorporating technology into their practice.

The Twitter logo.
Essay

What's On Your Mind? Suggest Topics for this week's #newplay chat

25 March 2013

Join this week's Howl on Dario Fo's World Theatre Day message

Banner logo for Georgetown School of Foreign Service.
Essay
18 March 2013

Jojo Ruf chats with Derek Goldman and Cynthia Schneider about founding the Laboratory for Global Performance and Politics at Georgetown University.

Banner advertisement for Strike.
Video
Saturday 9 February 2013
Austin, TX, United States

Breaking String of Austin, Texas, presented a performance of Strike: Two plays by Yury Klavdiev directed by Graham Schmidt as well as a post-show discussion: "Klavdiev Performances in Russia and the US" livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Saturday 9 February 2013 at 6 p.m. PST (San Francisco) / 8 p.m. CST (Austin) / 9 p.m. EST (New York).

 

A poster for the hummingbirds.
Essay

The Internationalists World Tour—Bucharest & Berlin

8 December 2012

Groenveld explores the different interpretations of his play The Hummingbirds as the play can be cast with any age, race, and gender to bring out different nuances of the script.

A poster that reads "Colibri Ocupa Green Hours."
Essay

The Internationalists World Tour—Mexico City, Mexico

13 October 2012

Groenveld explores the different interpretations of his play The Hummingbirds as the play can be cast with any age, race, and gender to bring out different nuances of the script.

Video
Saturday 22 September 2012 
Provincetown, MA, United States

Italy's MatèTeatro was presented a performance of I Blues as part of The Provincetown Tennessee Williams Theater Festival livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 22 September 2012.

Video
Tuesday 18 September 2012, Wednesday 19 September.
San Francisco, CA, United States

Mugwumpin, Theatre of Yugen, hosted by Z Space, present a conversation on the parallels of creation myths and millennial propecies livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 18 September 2012, at 7 p.m. PDT / 8 p.m. MDT / 9 p.m. CDT / 10 p.m. EDT / 02:00 GMT on Wednesday 19 September.

Index on Censorship's logo.
Essay
19 September 2012

A call to action from Young Vic, concerning the imprisionment of producer David Cecil in Uganda.

The word translate and its equivalent in various languages.
Essay
4 September 2012

Adam Versenyi propses a national effort in the US to translate plays into English, and what this initation would look like

Interior image of the Mladinkso Theater in Slovenia.
Essay
23 August 2012

Norman Allen describes what he learned from the process of having his playNijinsky’s Last Dance performed in Ljubljana, Slovenia.

Two silhouettes speak while an image of a man's face is projected behind them.
Essay

The Internationalists World Tour: Zaragoza, Spain

21 August 2012

Groenveld explores the different interpretations of his play The Hummingbirds as the play can be cast with any age, race, and gender to bring out different nuances of the script.

the canadian flag.
Essay
30 June 2012

Howard Sherman poses a perplexing question: where are all the Canadian plays, and why are we Americans so hesitant to produce them?

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