Seth Wilson argues that the relatively low reputation of the study and pursuit of theatre is the primary way antitheatricalism manifests itself today.

Isaac Mafuel shares a recent debate had amongst theatremakers in Malawi about how to best price shows, considering both that low prices are a way of coping with the circumstances of their economy and that art should claim its value.

Elsa Hiltner discusses equity issues for designers in the theatre industry and offers tips for how artists can work together to change the system.

Caridad Svich offers some observations from this ever-evolving now, as the theatre industry contends with the manner in which it may come into its own during the COVID-19 pandemic and after.

Genevieve Beller argues that the current forced pause on society provides a rare opportunity for theatres to take stock, inventory priorities, and enact positive and lasting change, and she provides tangible steps to do so.

Széker Jetta sits down with Miki Braniște to talk about Cluj’s arts and culture policies, how they have changed over time, and how they have affected the city’s independent artistic scene.

Lisa Channer, professor at the University of Minnesota Twin Cities, talks about her school’s work in crafting a pledge to join the JUBILEE—a yearlong, nationwide theatre festival featuring work by traditionally excluded artists.

Brídín Clements talks about the accessibility of educational and professional programs, like internships, in theatre administration.

Charles M Pepiton discusses professional theatre’s commercial roots, how mission statements of non-profits today focus on social engagement, community-based development, and more.