Economics

This episode focuses on the iconic Negro Ensemble Company (NEC). Hosts Leticia Ridley and Jordan Ealey delve into the NEC’s founding and history, its track record of producing successful Black plays, and its legacy within Black theatre and performance.

Miranda Wright, producer and executive director at Los Angeles Performance Practice, and Jeffrey Mosser discuss how Miranda has developed a presenting organization for sharing ambitious, collaboratively created work over the last ten years, as well as what she’s learned from some major arts funding research.

What does the voice of this millennium sound like? In this interview, Khumbolane Chavula provides one answer to that question by splicing together theatre, poetry, and entrepreneurship as the founder of Millesimal Poetry.

Maxwell Ciphinga, better known as Max DC, has weathered massive changes in the audience, form, and funding of Malawian theatre throughout his four-decade career. In this interview, he shares his perspective on the industry and discusses his policy and producorial work as the president of Malawi’s new National Theatre Association.

Robert Magasa is an experienced dancer, choreographer, and actor who trained in Zimbabwe and now runs UjeNi Dance Ensemble Theatre in Malawi. In this interview, Magasa discusses his career, the economics of producing theatre in Malawi, and his current work to bring a combination of traditional and Afro contemporary dance to schoolchildren in Malawi.

Rachel Dickstein, Artistic Director of Ripe Time, takes us through her experience with Center Theatre Group’s completion commission for their adaptation of SLEEP. She also spotlights some necessary and helpful relationships with tour presenting partners, the Association of Performing Arts Professionals, as well as champion and friend Diane Rodriguez.

In these episodes of The Future Is Now, CEC Artslink invites two of their Future Fellows, artist and activist Selma Banich and freelance cultural manager Fatin Farhat, to discuss how they envision the future of arts practice.

In these episodes of The Future Is Now, CEC Artslink invites three of their Future Fellows—Amirah Sackett, an independent artist and activist, and Malika Umarova and Marat Raiymkulov of Art Group 705—to share their vision for how they see the future of arts practice.

Yura Sapi sits down with Ann James, founder of Intimacy Coordinators of Color, whose mission is to support and promote decolonized intimacy education and inclusive hiring practices in the entertainment industry.