Mary Kathryn Nagle predicts four main ways the American theatre will devise a future where theatrical storytelling does not directly contribute to white supremacy.

Chris Myers talks about the importance of class politics and makes a case for why artists ought to reckon with it, both as creative people and just plain workers.

Ezra Brain argues that political theatre has largely been reduced to simply calling out the problems in society, effectively preaching to the choir, and believes that in order to save political theatre, it must be re-Marxed.

Arianna Gass and Daniel Park share their experience restructuring their company into a worker cooperative and what benefits this model offers.

In a conversation that took place in November 2020, Meropi Peponides and Yury Urnov discuss stepping into shared leadership roles, adapting during the pandemic, paying salaries to actors, and more.

Alexis Frasz and Holly Sidford of Helicon Collaborative share their findings from the most recent assessment of the National Playwright Residency Program.

Masha Tsimring talks about pay equity in the design world, the upsides and downsides of freelancing, how COVID-19 has affected designers, and more.

Annalisa Dias and Ronee Penoi, on behalf of Groundwater Arts, argue that there cannot be a just arts sector within an unjust world, and that contrary to what people think, arts workers do have the means and the agency to make change. What is needed is a new narrative.

Vijay Mathew asks, and then offers ideas to approach, the question: "How will the performing arts field contribute to climate justice during the sixth mass extinction?"

Elsa Hiltner examines the value of pay equity in the theatre through a fresh lens: how it benefits companies.

Concerned with how the lockdowns have affected recent theatre graduates and young professionals, Kristin Perkins spoke to eighteen such artists across the United States about what it’s been like for them and offers some suggestions for the months ahead.

Seth Wilson argues that the relatively low reputation of the study and pursuit of theatre is the primary way antitheatricalism manifests itself today.

Isaac Mafuel shares a recent debate had amongst theatremakers in Malawi about how to best price shows, considering both that low prices are a way of coping with the circumstances of their economy and that art should claim its value.

Elsa Hiltner discusses equity issues for designers in the theatre industry and offers tips for how artists can work together to change the system.

Caridad Svich offers some observations from this ever-evolving now, as the theatre industry contends with the manner in which it may come into its own during the COVID-19 pandemic and after.

Genevieve Beller argues that the current forced pause on society provides a rare opportunity for theatres to take stock, inventory priorities, and enact positive and lasting change, and she provides tangible steps to do so.

Széker Jetta sits down with Miki Braniște to talk about Cluj’s arts and culture policies, how they have changed over time, and how they have affected the city’s independent artistic scene.

Lisa Channer, professor at the University of Minnesota Twin Cities, talks about her school’s work in crafting a pledge to join the JUBILEE—a yearlong, nationwide theatre festival featuring work by traditionally excluded artists.