Street Theatre

Beto O’Byrne discusses the work of three theatre artists in New York whose acts of cultural resistance contribute to the movement for a free Palestine.

Talia Rodriguez details the generative process for We Are Kin to the Cove, a site-specific, community-engaged performance exploring the historical and contemporary relationships water and humanity at a cove on New York’s East River.

Gathering Ground Theatre—an Austin, Texas collective comprised of people with lived experiences of homelessness and allies—creates performances that aim to influence public opinion and local legislation. Anna Rogelio Joaquin sits down with Lisa Hoelscher to discuss Lisa’s experience as a co-creator and performer of works that expose issues like hostile architecture and camping bans, as well as the company’s current work on a memorial performance.

Theatre artist Elle Thoni shares their experience working on the outdoor theatre production of a futuristic musical, Queen B, and challenges institutional ideas on how and where theatre can take place.

Sebastiano Spinella explores the importance of street theatre and the modern significance it still holds.

Rodrigó Balogh and Márton Illés discuss the process of creating outdoor theatre performances and share their experience producing them with Independent Theatre Hungary.

verity healey shares the journey and impact of Walk with Amal, an interactive, artistic project that centered on a large puppet refugee girl travelling through Europe.

Taylor Leigh Lamb and Sabine Decatur share emails, letters, social media posts, and more from the future that represent the period of profound change in the theatre industry beginning in 2021.

Sarah Plummer discusses how puppets aid socially engaged groups during protests in three key ways: amplifying tension, creating accessible messaging, and evoking solidarity.

Sayda Trujillo talks about white supremacy’s prevalence in clown pedagogy and shares how the invincible spirit of the clown has shaped her, “seeping through every tiny crack possible to make itself present to speak, to laugh, to sing, to bounce, to witness, and to encounter.”

L.M. Bogad shares the story of the beginnings of Clandestine Insurgent Rebel Clown Army, several tenets of “clownfrontational” tactics, examples of rebel clowning in a different contexts, and more.

Roxanna Myhrum looks at the history of the iconic puppet show Punch and Judy and Sarah Nolen’s feminist adaptation of it, Judy Save the Day.

Amelia Parenteau, along with theatremakers Eva Doumbia and Marie Houdin, explores the similarities and differences of parades and protests.

Anne Hamburger, founder of En Garde Arts, talks about the beginnings of her company, and, with it, the beginnings of site-specific theatre in New York City.

Marine Leduc discusses the nomadic theatre traditions of the Hognon family, who travel southwestern France staging plays that explore their Tsigane identity. / Marine Leduc explore les traditions du théâtre nomade des Hognons, une famille qui voyage à travers le Sud-Ouest de la France et y joue des pièces qui parcourt leur identité tsigane.