The VORTEX in Austin, Texas presented Robot Daddy—Electronic Planet Ensemble’s 20th Anniversary performance and final live concert—livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Friday 10 March at 9:15 p.m. EST (New York) / 8:15 p.m. CST (Chicago) / 6:15 p.m. PST (Los Angeles).
The New England Foundation for the Arts (NEFA) partnered with HowlRound to livestream the convening Art in the Service of Understanding: Bridging Artists, Military, Veterans, and Civilian Communities from Boston on the global, commons-based peer-produced HowlRound TV network at howlround.tv Friday 10 March to Sunday 12 March. Use Twitter hashtag #artsandmilitary to participate in online conversation.
Jonathan Wei, Executive Director of The Telling Project, meditates on war and the military, advocating art as an investigative tool for understanding and transformation.
Director Judith Smith discusses her company’s collaboration with Choreographer Joe Goode for to go again, a dance theatre piece that explores the lives of veterans with disabilities.
Cherry Lou Sy shares her experience seeing the Neo-Futurists’ The Great American Drama, which examines perceptions of the American dream and success in theatre.
Literary Managers and Dramaturgs of the Americas presented Reviewing the Situation: Producing Theater and Cultural Awareness panel livestreamed on the global, commons-based HowlRound TV network at howlround.tv on Monday 6 March at 3:30 p.m. PST (Los Angeles) / 5:30 p.m. CST (Chicago) / 6:30 p.m EST (New York).
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 6 March at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Oregon Shakespeare Festival presented “The Past is Always Present: Luis Alfaro as a Citizen Artist”, a Festival Noon Conversation with Tiffany Ana López livestreamed on the global, commons-based HowlRound TV network at howlround.tv Saturday 4 March at 12 p.m. PST (Portland) / 2 p.m. CST (Chicago) / 3 p.m. EST (New York).
Jonathan Mandell compares The Penitent by David Mamet with Penitent by Terrance McNally, and argues that neither late-career playwright has anything for which to apologize.
In the final installment of this series—a collaboration with SpiderWebShow—Aislinn Rose describes her experience and revelations at the Women's March in Washington, DC.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 27 February at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
How to Apply—Regional Theatre Fellowships and Internships
Thursday, February 23 2017
Bay Area, CA, United States
Thinking about applying for a fellowship or internship in theatre? Hear from current fellows at regional theatre companies around the country including Berkeley Repertory Theatre (Berkeley, CA), Arena Stage (Washington, D.C.), Hartford Stage (Hartford, CT), and A.C.T. (San Francisco, CA) discuss the details of their programs and the nuts and bolts of applying! Livestreaming on the global, commons-based HowlRound TV network at howlround.tv Thursday, February 23 at 12 p.m. PST (Los Angeles) / 2 p.m. CST (Chicago) / 3 p.m. EST (New York). Ask questions to panelists live by tweeting @BerkRepSchool using #CreativeCareers.
The Seed for Brooklyn Museum: Techniques & Process for Ensemble Interdisciplinary Performance
20 February 2017
Writer and performer Kelly Tsai shares the process of devising Ai Weiwei: The Seed, which is based on the art and writings of activist-artist Ai Weiwei.
Looking Back on the Revivals of Sinclair Lewis’s Play During the Election of 2016
19 February 2017
Paul Gagliardi, a scholar of the Federal Theatre Project, considers recent productions of It Can’t Happen Here and why the play is resonating with both directors and audiences today.
LaMaMa in New York City presented a memorial for Keo Woolford livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Tuesday 14 February at 7:00 p.m. EST (New York) / 6:00 p.m. CST (Chicago) / 4:00 p.m. PST (Los Angeles) / 2:00 p.m. HST (Hawaii).
In the first installment of this new series, a collaboration with Canada’s SpiderWebShow, Yvette Nolan ponders the porous boundary between the United States and Canada, and the importance of theatrical communication in difficult political times.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 13 February at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
