Penn Cultural Heritage Center and the Penn Museum in Philadelphia presented a staged reading and discussion of My Father’s Bones—a short play by nationally renowned Native American writers and activists Suzan Shown Harjo and Mary Kathryn Nagle— livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Thursday 12 February at 5:30 p.m. EST (New York) / 4:30 p.m. CST (Chicago) / 2:30 p.m. PST (Vancouver) / 22:30 GMT (London).
Seth Lepore presented The Seth Show with the episode Love, Hate and Lust livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 10 February at 7 p.m. EST (Toronto) / 6 p.m. CST (Chicago) / 4 p.m. PST (Vancouver).
Scena Theatre is small but ambitious, and in spite of its relatively low profile, it has thrived in Washington for twenty-seven years. Founding artistic director Robert McNamara is tenaciously committed to bringing new work from around the world to D.C. audiences.
A Conversation for The A.R.T. of Human Rights at Harvard University
Sunday 8 February 2015
Cambridge, MA, United States
The A.R.T. of Human Rights—a collaboration between the American Repertory Theater & Carr Center for Human Rights Policy at Harvard University—presented the conversation Fighting for Freedom: The Civil War and Its Legacies livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 8 February at 5:15 p.m. EST (New York) / 4:15 p.m. CST (Chicago) / 2:15 p.m. PST (San Francisco) / 22:15 GMT (London).
Double Edge Theatre in rural Ashfield, Massachusetts presented A Conversation Between Two Ensembles: SITI Company and Double Edge Theatre livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Thursday 5 February at 6 p.m. EST (Montreal) / 5 p.m. CST (Austin) / 3 p.m. PST (Vancouver) / 23:00 GMT (London).
"Audience participation" is a vague term, like much of theatrical terminology; it has come to mean different things to different people... What happens when the audience participates by becoming performers—without volunteering to do so?
Seth Lepore presented The Seth Show with the episode A Dignified Death livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 3 February at 7 p.m. EST (Toronto) / 6 p.m. CST (Chicago) / 4 p.m. PST (Vancouver).
Airline Highway is about community. D’Amour focuses the play not on their pain, but on their joy and celebration of a life fully lived, using the “living funeral” as a landscape to highlight her nuanced characters and their complex relationships.
The U.S. Department of Arts and Culture presented The People's State of the Union—2015 Poetic Address to the Nation livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 1 February at 6:30 p.m. EST (New York) / 5:30 p.m. CST (Chicago) / 3:30 p.m. PST (Los Angeles) / 23:30 GMT (London). Livestreaming by CultureHub at Bowery Poetry in New York City.
Enrique's Journey, directed and adapted by Anthony J. Garcia, is based on Pulitzer Prize-winning book of the same name by Sonia Nazario. The third production of Enrique’s Journey took place at the LATC's Encuentro 2014, performed by Su Teatro.
The Laboratory for Global Performance and Politics (The Lab) at Georgetown University in Washington, DC presented the US Premiere of Amrika Chalo (Destination: USA) livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 24 January at 8 p.m. EST (Washington, DC) / 5 p.m. PST (San Francisco) / 01:00 GMT (London) on Sunday 25 January / 06:00 PKT (Lahore).
The American Repertory Theater (A.R.T.) at Harvard University presented Suzan-Lori Parks' Watch Me Work livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 24 January at 4:30 p.m. EST (Boston) / 21:30 GMT (London) / 3:30 p.m. CST (Austin) / 1:30 p.m. PST (Vancouver).
Jeni Incontro encourages the theatre industry to change the business model by embracing technology, filming performances, and giving theatregoers the option of watching whenever they’d like.
Teatro del Sol's Mariela en el desierto is a fantastic philosophical meditation on art and women artists obscured by the ambition of their partners, inhibited creativity, truth, beauty, and the sacrifices we make for our loved ones.
Whirligig Productions, Shrewd Productions, and Fusebox presented Deus Ex Machina from Austin, Texas livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 18 January at 23:00 GMT (London)/ 6 p.m. EST (New York)/ 5 p.m. CST (Austin)/ 3 p.m. PST (Vancouver). Click here to view the livestream. Send text messages to +(1) 512-872-4637 during the performance.
Avant-garde performer and director Paul Zimet offers a brief overview of his role in Joseph Chaikin’s Open Theater and his forty-year history with Talking Band.
Theatre Development Fund and Theatre Bay Area announced the culmination of the eighteen‐month Triple Play Project with a convening of theatre practitioners from throughout the U.S. livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 16 January and Saturday 17 January 2015 from Emerson College.
Georgina Escobar talks to Juli Hendren of Tricklock Company about Revolutions, an international festival held each year in Albuquerque, and the exciting symposium this year brings.
Camille A. Brown presented The Gathering 2015 livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 11 January at 4 p.m. PST (San Francisco) / 6 p.m. CST (Chicago) / 7 p.m. EST (New York).
The Shakespeare Theatre Association 2015 Conference presented the Shakespeare and New Work panel livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 10 January 2015 at 10:40 a.m. PST (Los Angeles) / 12:40 p.m. CST (Chicago) / 1:40 p.m. EST (New York).
Co-founders of St Lou Fringe Em Piro and Tara Daniels talk about how artists and institutions can continue the conversation started after #Ferguson, and how important it is to do so.
The Association of Performing Arts Presenters (APAP) welcomed performing arts professionals and enthusiasts around the world to join us remotely for select plenary events featuring luminaries from the industry and for professional development sessions sharing best practices from the field during our APAP|NYC 2015 conference livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv from 9 January to 13 January 2015.
