California

Andy Donald talks about Tuesdays@9, Naked Angels' iniative to welcome playwrights to a truly open submissions policy, where they can have a shot at getting their work produced.

Denizen Kane interviews playwright/director/curator Marc Bamuthi Joseph about magical realism, letting go, and collaboration.

Moving from Chicago to LA included more than a huge wardrobe change. The reality of life in LA changed Brett Neveu’s relationship to writing and made him find balance in new rules.

The News creates a space for queer performances to be put on a stage. Each ten minute time slot allows artists a place to experiment, explore new work, and start their conversation.

Jamie Gahlon has asked theatre artists from around the country to talk about their personal search for an artistic home. Tony Taccone continues this series.

Carey Perloff talks about making theatre in the Bay Area, and what makes San Francisco such a great incubator for collaborations.

Rebecca Novick examines San Francisco's complicated relationship with ambition—and why we should all embrace the idea of "investing" instead of "making it."

Dan Wolf talks about San Francisco, and what makes him keep coming back, no matter where or how far away he goes.

Brad Erickson continues the discussion on theatre in San Francisco with HowlRound's City Series.

Sean San José continues the discussion on theatre in San Francisco with HowlRound's City Series.

Octavio Solis continues the discussion on theatre in San Francisco with HowlRound's City Series.

In this first installment, Deborah Cullinan gives an overview of San Francisco's theatre scene and its players.

Mark Jackson, a theater maker in San Francisco, talks about the founding of Theater Salons, a series of informal talks about theater between differnet theatermakers in the area, and the lessons he has learned from them.

Deborah Cullinan and Jonathan Moscone discuss Ghost Light, a new play exploring his father — San Francisco Mayor George Moscone — and Supervisor Harvey Milk's assassination.

Richard Montoya, of the theater group Culture Clash, delivers his theatrical manifesto; one of outside the lines, in every way.

Ronald McCants addresses the issues that disable up-and-coming playwrights in the Los Angeles theatre scene.

Playwright Chinaka Hodge recounts her experiences producing her first play and how the collaboration process supported and enhanced the growth of her play.