Content in this section focuses on theatremakers having conversations and creating work across geographical and cultural borders. There are many examples of powerful work here, but for those interested in learning more, consider starting with “Ten Transformative Ideas for Community-Building and Cross-Cultural Exchange.”
The Latest
Essay
On a Theatrical Pilgrimage to See Carolina Bianchi and Cara de Cavalo's Chapter II: The Brotherhood
by Amanda L. Andrei
6 April 2026
Essay
Presence Before Performance at ODIN HOME
by Melvin Ningyao Yen
3 March 2026
Video
A Performance of The Pelicot Trial: Tribute to Gisèle Pelicot
Amelia Parenteau chronicles the process of translating Eva Doumbia’s Autophagies from French to English and producing its tour in the United States, a project that unfolded across four years.
The IETM Aarhus Plenary Meeting 2023 invited its participants to discuss and digest the ethical and practical role of the performing arts—and of the artist—in the face of climate emergency. It presented a program that aims to provoke new thoughts and inspire action, awareness, and positive impact.
Artistic director of Belgian theatre company Ontroerend Goed, Alexander Devriendt talks through their process for imagining and developing participatory content. Alexander and Jeffrey Mosser also dig into financing art in Europe, the cost of touring internationally and how COVID has affected it, and sustaining family and art simultaneously.
Artistic Mobility and Environmental Sustainability
Tuesday 9 May to Wednesday 10 May 2023
Tunis, Tunisia
The Cultural Mobility Forum 2023 is an attempt to recontextualize the conversation on cross-border artistic mobility and environmental sustainability, unfolding the interdependencies between privileged (Western) Europe and other territories, investigating local practical sustainable solutions, and listening to a variety of voices from the Global South. This event will provide live captioning in English.
Discussing Their Production of Sasha Denisova’s The Gaaga (The Hague)
Monday 8 May 2023
New York City
Join us for a talk with award-winning Ukrainian playwright and director Sasha Denisova (Ukraine) and artistic director Igor Golyak (US/Ukraine) of Arlekin Players Theatre to discuss their production of Sasha’s The Gaaga (The Hague). Sasha has been living in Poland, where she has collected stories from refugees who have fled their homes due to the war, and traveled to interview many officials and everyday people in her quest to create a futuristic trail of Putin in the form of this new play.
Jacqueline Flores and Abel López, co-curators of the Latinx Leaders at the Forefront series, discuss their careers, their sense of cultural identity as Latinx theatremakers, and importance of intergenerational dialogue.
With Stéphanie Bérard (France), Daniely Francisque (Martinique), Elvia Gutiérrez (Mexico, China), Gaël Octavia, and Others
Tuesday 2 May 2023
New York City
Join us for a conversation celebrating the unique anthology and latest Segal Center Publication, New Plays from the Caribbean, a most significant and lasting part of the 2019 Caribbean Theater Project ACT (Actions Caribéennes Théâtrales)—initiated and co-organized by the Martin E. Segal Theatre Center in New York City, the theatre company SIYAJ from Guadeloupe, and Stéphanie Bérard.
Nidia Medina, associate artistic director of INTAR Theatre, interviews José Luis Valenzuela, artistic director of the Latino Theater Company, about his path into artistic direction, his mentors, and the legacy he has cultivated.
Encounters between artists from different corners of the world are captured in a series of mini documentaries. Safe Havens Freedom Talks (SH|FT) presents Safe edition #2, launched during the Artistic Freedom Conference ("Fri Kunst").
The 2022 national tour of Oklahoma! brought Daniel Fish’s critically acclaimed revival to commercial theatre audiences nationwide. Those audiences met the production with overwhelming disapproval and animosity rooted in its departures from decades-old conventions. Actor Christopher Bannow, who played Jud in the touring production, details his experience of enduring audience rejection while remaining committed to engaging audiences in challenging conversations through risky theatrical choices.
Honoring Lifetime Achievements in Global Collaboration: James C. Nicola, Robert J. Orchard, and Molly Smith
Wednesday 29 March 2023
Washington, D.C.
Join the Center for International Theatre Development (CITD) and the Trust for Mutual Understanding at Arena Stage in Washington, D.C. for a celebration of global theatre prior to the evening’s preview performance of Angels in America, Part One: Millenium Approaches, directed by János Szász. CITD founder and director Philip Arnoult will present the inaugural Coigney-Arnoult Global Theatre Awards to James C. Nicola, Robert J. Orchard, and Molly Smith in honor of their lifetime achievements in global collaboration. This virtual celebration will unite friends and supporters, along with Will Wadsworth, nephew of the late Martha Coigney.
A Permanent Parliament: Notes on Social Choreography
Monday 20 March 2023
New York City
Artist and writer Cory Tamler holds the container, editing together her memories of her own experiences as a participant in parliament, excerpts from conversations with Kliën and from his personal archive, theoretical propositions for the way parliament could go to work in the world, and reflections from other participants in parliament over the years.
Joseph Dunne-Howrie examines the way that three of Javaad Alipoor’s plays infuse the internet into theatrical performance, creating intersecting narratives that interrogate identity formation in the age of global interconnectivity.
Webinar Exploring the Tensions Between Cultural Mobility and Parental Responsibility in the EU and Internationally
Tuesday 7 March 2023
European Union
For this third Mobility Webinar, On the Move will explore the tensions between cultural mobility and parental responsibility in the EU and internationally. Discussing how our ecosystem considers and manages parenthood, particularly for women, at the different stages of the creative value chain.
Lisa Rafferty sits down with Ukrainian documentary storyteller Alem Kent to discuss Kent’s Our Response Ability and upcoming work with ProEnglish Theatre. Through documentary and verbatim theatre practices, these productions detail experiences of Ukrainians living under siege and working as war persists around them.
The International Presenting Now convening brought a collective of US-based presenters of international work together in physical space in January 2023, following almost three years of virtual conversations and events. Janice Paran details the conversations that arose around the convening’s key question: how might international presenters want to work differently?
This roundtable conversation explores pathways for sustaining and furthering global exchange and international touring in the United States. This event livestreamed on the global, commons-based, peer-produced HowlRound TV network on Monday 9 January 2023 from St. Ann's Warehouse in Brooklyn, New York. The archival video has American Sign Language interpretation and closed captions.
Slovo. Theater Group uses theatre as a tool to fight against cultural oppression by promoting Ukrainian culture abroad. Audrey Rose, the group’s producer, discusses the process of making theatre during active war as a way of resisting oppression and violence.
Lydia Deborah Banda infuses theatre into community initiatives that work toward gender equality, educate girls about menstruation, and provide leadership and support opportunities in schools and prisons. In this interview, she shares her experiences conducting these initiatives in Malawi and touring internationally to Germany.
How Archives and Archival Interventions Can Challenge Power
Friday 18 November 2022
Belarus
Safe Havens Freedom Talks (SH|FT) presented a Freedom Talk at Archives and Resistance livestreaming on the global, commons-based, peer-produced HowlRound TV network on Friday 18 November 2022 at 8:30 a.m. EST (New York, UTC -5) / 13:30 GMT (London, UTC +0) / 2:30 p.m. CET (Stockholm, UTC +1).
Writer and educator Jonathan P. Eburne details how he first came to know of Double Edge Theatre and the Ohketeau Cultural Center and discusses their unique approach to worldmaking, land sharing, and theatremaking.
Robert Magasa is an experienced dancer, choreographer, and actor who trained in Zimbabwe and now runs UjeNi Dance Ensemble Theatre in Malawi. In this interview, Magasa discusses his career, the economics of producing theatre in Malawi, and his current work to bring a combination of traditional and Afro contemporary dance to schoolchildren in Malawi.
On the Move and Wales Arts International presented a Mobility Webinar: UK-EU Mobility Flows in the Visual Arts, livestreaming on the global, commons-based, peer-produced HowlRound TV network on Tuesday 25 October 2022 at 9 a.m. EDT (New York, UTC -4) / 13:00 UTC / 15:00 CEST (Brussels, UTC +2).
Exploring the Dialectical Possibilities for "Re-Ritualizing" Theatre and “Re-Theatricalizing” Everyday Life in the Twenty-First Century
Saturday 15 October 2022
New Orleans, Louisiana
Imagining America and Open Channels presented Open Channels and the Caribbean Roots of Theatre for Social Change livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Saturday 15 October 2022 at 11:30 a.m. PDT (San Francisco, UTC -7) / 1:30 p.m. CDT (New Orleans, CDMX, UTC -5) / 2:30 p.m. EDT (New York, Havana, UTC -4).
Safe Havens Freedom Talks (SH|FT) presented an Freedom Talk: The Novelist as Knowledge Keeper livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Friday 14 October 2022 at 8:30 a.m. EDT (New York, UTC -4) / 12:30 UTC / 2:30 p.m. SAST (Capetown, UTC +2).
