Producer, dramaturg, and grant writer Heather A. Beasley writes about the challenges and ethics of collecting audience demographic data, and offers a radical proposition.

Abbey Fenbert encourages people to speak out when they are in uncomfortable situations, even if it feels challenging. 

In light of a recent controversy at a New Jersey high school, Jonathan Mandell talks to theatre artists about their views on using or not using the n-word in shows.

Charlotte Canning discusses gun violence in theatre, and film, taking a close look at safety policies and regulations for firearms on set.

Theatre practitioner Caridad Svich on art and activism and After Orlando.

Actor Lashad Beck shares his tips for dealing with cultural microaggressions during a production.

Daniel B. Thompson addresses the common practice of theatre companies misclassifying their workforce as independent contractors for tax purposes.

Playwright Joseph D’Ambrosi advocates the need for Christian theatre artists to reevaluate censoring plays for the sake of faith-based themes.

In his third installment, Eli Keel discusses the ethics of seeking consent from actors in theatre settings.

Nelson T. Eusebio III addresses the argument that the “best” actor must always be cast in a role, regardless of race.

Playwright Rehana Lew Mirza argues that those who defend producing The Mikado using yellowface on the basis of its “historical significance” are supporting centuries of imperialism and oppression.

Adam R. Burnett looks at resilience in theatre, how artists seem to forget where they’ve been, and the ethical responsibilities in the production of production.

The Weekly Howl is a peer-produced, open-access discussion about theater culture and contemporary performance that happens in real-time on Twitter using the hashtag #newplay.*

Join us Thursday, July 25 for the Weekly Howl on hashtag #newplay at 11am PDT – 12pm PDT (Los Angeles) / 1pm CDT – 2pm CDT (Austin) / 2pm EDT – 3pm EDT (New York) / 18:00 GMT – 19:00 GMT / 7pm BST - 8pm BST (London) / 8pm CEST - 9pm CEST (Berlin). Click here for an automatic conversion into your local time.

This week's topic: "Realism: Friend and Foe"

This week's topic is: How do current social and political events impact our role as artists? and will be moderated by Dominic D'Andrea @DominicDAndrea and Gus Schulenburg @GusSchulenburg. 

After an upset theatregoer throws another audience members phone across the theatre, questions were raised about what behaviors are considered respectable in the theatre

By examining audience and leadership demographics, Rebecca Stevens draws a comparison between the GOP and American theatre. 

Alisa Solomon shares the complex history of A Trip to Bountiful's journey to Broadway.

John More talks about why the fall of the newspaper intudusty is bad news for the theatre community

Todd London's keynote address at the NoPassport Conference in New York City, March 1st 2013.

This week's Howl questions the relationship between guns and violence in theatre, and violence in the real-world 

Playwright Tammy Ryan talks about the role of guns in her older and more recent plays.

In this meditation, P. Carl reflects on the meaning of success in theatre.

This week's Howl adresses the "Wal-Marting" of American theatre

Melanie Joseph, the Artistic Director of the Foundry Theater, examines what it means to be an artist and an active citizen.