The One Nation/One Project (ONOP) campaign paralleled the most consequential United States presidential election of a lifetime. In this conversation, the national political cycle becomes a prism for ONOP team members to reflect on the roles theatremakers play to strengthen our democracy now and move forward in these times.
As part of Zoukak Theatre’s Letters from the Ground initiative, Sahar Assaf asks theatre leaders who have not spoken out for Palestine a simple question: Why?
LaJuné shares about the inception of Black Movement Library: a database of motion capture data from Black folks they created, while seeking to avoid the paradigms of erasure, extraction, and exploitation of Black bodies. In their work, they encourage freedom and personal expression over correct data capture. They believe none of us are just numbers, and to treat our movements in our bodies as just data sets is very harmful.
Guest Heidi Bosivert believes that our bodies are archives of stories and if we can't get those stories out, the whole fabric of society will break down. When she worked in tech, addressing social issues, she had a crisis of faith and figured that bringing people into physical spaces and working with the body might be one way of mitigating deleterious effects of technology. Now, she’s creating a media biogenome.
Sara Nicole explores the advice for performers within the theatre industry of saying “yes” to everything, how it infringes on the autonomy of theatremakers, and why and how one must learn to say no.
After Russian courts found that Svetlana Petriychuk’s documentary theatre piece Finist the Brave Falcon “justified terrorism” due to its feminist aims, Petriychuk and director Zhenya Berkovich were jailed. Viktor Vilisov discusses the production, clarifying the production’s aims to amplify the experiences of Russian women whose attempts to flea Russian patriarchy has landed them in oppressive marriages to Syrian ISIS fighters.
Host Nicolas Shannon Savard and playwright Leanna Keyes discuss her play Doctor Voynich and Her Children. What does it mean to stage trans stories about queer motherhood, abortion, intimacy, choice, and power in the wake of the Supreme Court’s overturning of Roe v. Wade and the ongoing legislative attacks on reproductive rights and the trans community?
With Guests Dr. Joy Brooke Fairfield and Raja Benz
21 June 2023
In the first part of a two-part conversation on queer-trans intimacy direction and choreography, Nicolas talks with Theatrical Intimacy Education faculty members Dr. Joy Brooke Fairfield and Raja Benz about their courses Working with Trans & Non-Binary Artists and Staging Intimacy Beyond the Binary. They discuss crafting courses that are less Trans-101 and more cracking gender open, resisting patriarchal and colonialist scripts, and bringing queer culture into the rehearsal room.
Munroe Shearer discusses the problem of white queer men’s positionality excusing them from anti-racism and anti-misogyny practices in theatre leadership.
This dynamic summary of a panel co-curated by Rachel Penny and Nikki Shaffeeullah as part of Parallel Tracks 2.0 brings together several artists, producers, and lawyers in a discussion about contracting, how it has been impacted by COVID-19, and interrogating power dynamics within the contracting process.
This week, Yura Sapi is join by Tierra Allen who shares about creating The Real Work, a podcast about theatre culture and transformative justice that is co-produced with We Rise Production. This episode’s topics include learning from non-humans, sharing poems and songs, and being the change.
David Salsbery Fry’s career in opera shifted dramatically when he publicly disclosed his disability in 2015. In this candid discussion with Marianna Mott Newirth and Gregory Moomjy, co-founders of New York City’s first disability-affirmative opera company, he details his experiences navigating an industry that has not made itself fully accessible or welcoming to artists with disabilities.
Theatremaker Sara Nicole reflects on her college theatre experience and shares changes she’d like to see in theatre education that prioritize students’ physical and mental health.
Theatremakers Sulu LeoNimm, Liz Morgan, and Katy Rubin discuss the process of co-authoring The Wildcard Workbook, a guide designed to help others in the field delve into Theatre of the Oppressed practices and devised theatre processes.
Projection designer David Forsee, who brings artificial intelligence into his own design workflow, creates a toolkit for other designers interested in effectively and ethically integrating text-to-image models into their design processes.
Ann James introduces the Rebuilding for the Future: A Convergence of Thought Leaders in Intimacy Practice series with this call for intimacy professionals to build a foundation of equity in the industry by interrogating available mentorship and training structures. This essay begins that work by highlighting the need for a diverse pool of training ideologies and methods; and the interview-based series that follows takes up that need by highlighting the perspectives of eight practitioners who navigate the intimacy industry in a variety of ways.
This episode is inspired by recent and current events regarding Roe v. Wade and their potential impact on birthing people. We think about the representation of reproductive justice (things such as abortion, contraception, and anything regarding decisions to birth or plan a family) especially from Black women playwrights. We discuss plays such as They That Sit in Darkness by Mary Burrill, Rachel by Angelina Weld Grimke, Come Down Burning by Kia Corthron, In the Blood by Suzan-Lori Parks, and Abortion Road Trip by Rachel Lynett.
Ekemini Ekpo applies W.E.B. Dubois’ concept of “double consciousness” to the experience of performing Blackness for a predominantly white audience that may or may not be interested in disturbing the primacy of their own lived experience.
Lauren E. Turner, producing artistic director of No Dream Deferred, sits down with Amelia Parenteau to discuss their recent experiences in anti-racist facilitation work through No Dream Deferred’s service, Equity and Justice for Institutional Change.
Russian theatremaker Viktor Vilisov details the rapidly dwindling infrastructure for free expression in Russian culture in a time of war. As theatres and theatre workers navigate the deterioration of their sector, elements of performance persist in anti-war protests and state political messaging alike.
A Conversation between JD Stokely and Javiera Benavente
16 March 2022
JD Stokely and Javiera Benavente discuss the ways the navigate they complexities of commoning while embracing listening, unlearning, and care in their creative practices and educational paths.
In their introduction to the Arts, Culture, and Commoning series, curators Jamie Gahlon and Matthew Glassman apply the concept of the commons to theatremaking as a practice and illuminate the potent intersection of these ideas.
