Content in this section explores leadership in theatre: best practices, aspects that need to change, and more. It contains one of HowlRound’s most robust Journal series: The Changeover: Leadership in Transition, marking the period of unprecedented turnover of leadership in the nonprofit theatre in the United States and Canada from 2018 to 2021. In this series, incoming or outgoing institutional leaders are in conversation with one another about their tenure leading organizations and their hopes for the future.
The Latest
Video
The State of BIPOC Theatre
ArtsBoston's Network for Arts Administrators of Color
Tuesday 19 May 2026
Boston, Massachusetts
Essay
Pink Fang: Inheriting a Legacy, Building a Future, Connecting Islands
Director, dramaturg, and founding AD of Crowded Fire, Rebcca Novick, speaks with Marissa Wolf, the new AD of Portland Center Stage—and former AD of Crowded Fire as well—about knowing when you’re ready for change, leaving communities you’ve helped build, parenting in the arts, and more.
Kim Whitener, the former executive director of HERE, and theatre producer and consultant Mara Isaacs sit down to talk about moving from institutions to the freelance world (and vice versa), the generosity of other theatre creators, work-life balance, and more.
Bill Rauch, the inaugural artistic director of the Perelman Performing Arts Center, and Diane Ragsdale, assistant professor at the New School, sit down to discuss long overlaps between outgoing and incoming leaders; equity, diversity, and inclusion initiatives; the responsibility of an artistic leader is the time of #MeToo and #TimesUp; and more.
Scott Artley talks about the decision to wind down activities of Patrick’s Cabaret in Minneapolis after over thirty years on the scene and details the steps taken to “sunset” the organization in a respectful, beautiful way.
Joyce Rosario, interim artistic director of the PuSh Festival, and producer and curator Meiyin Wang sit down to talk about whether the next crop of leaders is being set up for success, working across differences with colleagues, their respective transitions, and more.
Howard Shalwitz, co-founder of Woolly Mammoth, talks with Carey Perloff, longtime director of American Conservatory Theater, about their decades-long tenures at their respective companies, covering everything from the throughline of founding manifestos, to the five- to six-year cycles companies go through, to how lonely it is to be an artistic director, and more.
May Antaki speaks with Brendan Healy, the new artistic director of Toronto’s Canadian Stage, about leadership changeovers happening across Canada, how his approach to being an AD has shifted over the years, his desire to cultivate curiosity inside audiences, and more.
Artistic directors Hana Sharif and Kwame Kwei-Armah discuss transitions in leadership in the US and UK and how they've helped define success in their respective institutions.
David Dower, artistic director of ArtsEmerson, introduces the leadership series with thoughts and advice from his past experiences with major leadership transitions over his thirty-year career.
The Network for Arts Administrators of Color and ArtsBoston presented The Path Forward: A Conversation on Racial Equity in Arts Leadership livestreamed from the National Museum of Singapore on the global, commons-based peer produced HowlRound TV network at howlround.tv on Thursday 24 May from 6:30 p.m. - 8:00 p.m. EDT (Boston) / 5:30 p.m. - 7:00 p.m. CDT (Chicago) / 3:30 p.m. - 5:00 p.m. PDT (San Francisco).
Founder and executive artistic director of Dallas’s Bishop Arts Theatre Center Teresa Coleman Wash looks at the realities of running a theatre company as a woman of color.
Sara Brookner interviews the steering committee of the Berkshire Leadership Summit, which brought together a hundred present and future US and Canadian women leaders to discuss equity and advancement in the theatre field.
The Martin E. Segal Theatre Center presented the the 2018 Edwin Booth Award: Young Jean Lee on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 23 March at 6:30 p.m. EDT (New York) / 5:30 p.m. CDT (Chicago) / 3:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
Milwaukee Repertory Theater presented the Intersections Summit livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 23 March and Saturday 24 March 2018.
The Network for Arts Administrators of Color presented Amplifying Voices: A Conversation with Leaders of Color in the Arts at Boston Center for the Arts archived on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 20 February at 6 p.m. EST (Boston) / 5 p.m. CST (Chicago) / 3 p.m. PST (San Francisco).
An Interview with Werewere Liking founder of the Theatre Company Village Ki-Yi M'Bock in Côte d’Ivoire. / Une interview avec Werewere Liking, la fondatrice du Village Ki-Yi M'Bock en Côte d’Ivoire.
ArtsBoston presented Paving the Way: A Conversation with Leaders of Color in the Arts livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 12 December 2017 at 6 p.m. EST (Boston) / 5 p.m. CST (Chicago) / 3 p.m. PST (San Francisco).
Educator and director Luanne Davis Haggerty directs a musical with a Deaf and hearing cast and considers how the rehearsal room creates and reveals forms of Deaf leadership.
American Conservatory Theater and The Wellesley Centers for Women presented the opening session of the Women’s Leadership Conference livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv from San Francisco on Monday 22 August at 10 a.m.-12 p.m. PDT (San Francisco) / 12 p.m.-2 p.m. CDT (Chicago) / 1 p.m.-3 p.m. EDT (New York) / 17:00-19:00 GMT / 6 p.m.-8 p.m. BST (London). Follow @ACTSanFrancisco, @HowlRoundTV and share your thoughts using #ACTWLC and #howlround.
The American Conservatory Theater with Wellesley Centers for Women present findings on a three-year study on the gender equity of leadership opportunities in the nonprofit American theater.