The Martin E. Segal Theatre Center presented the Prelude 2016 festival livestreamed on the global, commons-based and peer-produced HowlRound TV network at howlround.tv on Wednesday 5 October through Friday 7 October 2016. See the livestream schedule below. Share your thoughts on Twitter and Instagram with #howlround, @PRELUDENYC, and #PRELUDE16
Michael Rohd and Maureen Towey share an excerpt from their new book The Penelope Project: An Arts-Based Odyssey to Change Elder Care, writing about creating and rehearsing a show in a retirement community.
Detroit Convening—ArtChangeUS: Arts in a Changing America
Thursday, October 6, 2016
Detroit, MI, United States
ArtChangeUS: Arts in a Changing America presents REMAP: Detroit livestreaming on the global, commons-based and peer-produced HowlRound TV network at howlround.tv on Thursday, October 6, 2016. See the livestream schedule below
Does Each Serve the Other? Presidential Candidates on Stage
6 October 2016
Jonathan Mandell looks at some recent plays that explore this wackiest of election seasons in novel ways, and asks: Is mockery proper...or even possible?
Andrew Jacobs discusses his senior theatre project in college, sharing his observations about what it means to create and maintain a socially responsible theatre on a local level.
David Dower talks with Tony Taccone about his adaptation of It Can’t Happen Here at Berkeley Rep, and what it means for an institution to program a new work that speaks directly to our present moment.
Amy Brady interviews Michael Arve about Dangerous Theatre, a piece he’s directing based on Hallie Flanagan’s 1938 testimony to the Special Committee to Investigate Un-American Activities.
Miniature Interviews with Three Audio Storytellers
2 October 2016
Emma Wiseman presents musings on audio storytelling and the world of radio from Cecil Baldwin, Jon Earle, and Audrey Quinn, three New York-based audiophiles.
Director Lavina Jadhwani shares her experience as an Asian American director, advocating the need for more spaces and opportunities for Asian American theatre artists to collaborate together.
The Nuts and Bolts of Offering Sensory-Friendly Experiences to Your Audience
29 September 2016
In this #IdentityWeek blog, Erica Nagel of the McCarter Theatre discusses how, and why, they’ve made Relaxed Performances part of their equity, diversity, and inclusion work.
Samuel French, Playbill, and HowlRound presented #IdentityWeek, a free four-day panel event exploring racial, cultural, sexual and gender identity in the theatre livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv from Tuesday 27 September to Friday 30 September.
The Martin E. Segal Theatre Center presented a conversation with Romeo Castellucci, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 27 September 2016 at 2 p.m. PDT (Los Angeles) / 3 p.m. CDT (Chicago) / 5 p.m. EDT (New York). Share your thoughts on Twitter and Instagram with #howlround.
Playwright and attorney Cheryl Davis delves into the legal specifics of Creative Commons and fair use, explaining how artists can use them to fit their needs.
Kicking off #IdentityWeek, Playwright Larissa FastHorse discusses workshopping her play What Would Crazy Horse Do? at Santa Clara University, and advocates the playwright’s voice in casting choices.
Double Nickels Theatre Company presented a performance of The Mobile Porch Tour: "The Wildflower Project," livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 26 September 2016 at 9:15 a.m. PDT (Los Angeles) / 11:15 a.m. CDT (Chicago) / 12:15 p.m. EDT (DC). Share your thoughts on Twitter and Instagram with #howlround
Michael Lueger and Barbara Fuchs discuss the plays written during Spain’s theatrical Golden Age, and Barbara’s Diversifying the Classic project, which aims to bring them back into prominence for English-speaking audiences.
