Arts, Culture, and Community Investment - CultureBank Dallas
with Ignite/Arts Dallas: A Center for People, Purpose + Place
Tuesday 25 February 2020
Dallas, Texas
Ignite/Arts Dallas presented Arts, Culture & Community Investment - CultureBank Dallas livestreamed on the commons-based peer produced HowlRound TV network on Tuesday 25 February at 11 a.m. PST (San Francisco, UTC-8) / 1 p.m. CST (Dallas, UTC-6) / 2 p.m. EST (New York, UTC-5).
Panel Conversation Backstage with Deaf Artists and Technicians
Making production processes more accessible to Deaf staff, artists, and overhire folks.
Friday 13 December 2019
Web
Production Managers’ Forum (USA) Diversity and Inclusion Committee presents the panel discussion Backstage with Deaf Artists and Technicians livestreaming on the commons-based peer produced HowlRound TV network at howlround.tv on Friday 13 December 2019 at 11 a.m. PST (Los Angeles, UTC -8) / 12 p.m. MST (Denver, UTC -7) / 1 p.m. CST (Chicago, UTC -6) / 2 p.m. EST (New York, UTC -5) / 19:00 GMT (London, UTC +0)
Making Radical Parent Inclusion Replicable and Sustainable
5 December 2019
Rachel Spencer Hewitt, founder of the Parent Artist Advocacy League (PAAL), talks about putting PAAL’s handbook of best practices for parent support into action in collaboration with New York City’s the Playwrights Realm.
IETM presented the IETM Rijeka Plenary Meeting livestreaming on the global, commons-based peer-produced HowlRound TV network from Thursday 24 October to Saturday 26 October 2019.
How To Make Your Leadership Transition a Joyful, Fun Revolution
6 October 2019
Katy Rubin, founder and former exeuctive director of Theatre of the Oppressed NYC, talks with new executive director Meggan Gomez about how long leaders should hold their roles in an organization, mission drift, founder’s syndrome, and more.
Caring for Ourselves So We Can Care for Each Other
Michael J. Bobbitt and Raymond O. Caldwell in Conversation, Part II
16 September 2019
Part II of the conversation between Michael J. Bobbitt, the recently appointed artistic director of Boston’s New Repertory Theatre, and Raymond Caldwell, the new leader of Washington’s Theater Alliance, who talk about post-show conversations and self-care.
"I’m Not Interested in More Allies. I Need Advocates."
Michael J. Bobbitt and Raymond O. Caldwell in Conversation, Part I
15 September 2019
Michael J. Bobbitt, the recently appointed artistic director of Boston’s New Repertory Theatre, and Raymond Caldwell, the new leader of Washington’s Theater Alliance, sit down to talk about race equity work, the guilt they felt leaving their previous posts, and more.
Presented by ASSITEJ - International Association of Theatre for Children and Young People
Tuesday 3 September - Friday 6 September
Kristiansand, Norway
ASSITEJ presented The ASSITEJ Artistic Gathering 2019 livestreamed on the global, commons-based peer-produced HowlRound TV network from Tuesday 3 September to Friday 6 September.
Artistic directors Joe Haj of Minneapolis’s Guthrie Theater and Rob Melrose of Houston’s Alley Theatre talk about confidence and fearlessness, a company of actors, fighting for the classics, and more.
Claudia Alick talks about growing up as an abled youth and her sudden onset illness as an adult, how areas of inaccessibility in the theatre suddenly became hypervisible to her, “crip time,” and more.
Innovation, Creativity, and Inclusion in Professional Theatre
26 May 2019
Talleri A. McRae and Mickey Rowe, co-founders of the National Disability Theatre, introduce their series “The Future of Theatre is Accessible,” talk about some key takeaways from the upcoming articles, and discuss how language is a barrier to inclusion.
Sydney Isabelle Mayer discusses the importance of terminology when it comes to “trigger” warnings, how artists can best offer warnings for their shows, and what it means to create a responsible theatremaking process.
How to Model a Healthier Professional Culture That Benefits Marginalized Artists and Administrators
1 May 2019
Carl(os) Roa offers thoughts on how organizations can create healthier workspaces, weaving in ideas from artists at Philadelphia Young Playwrights and Applied Mechanics.
Owais Lightwala talks about how Toronto’s Why Not Theatre grew from a scrappy startup to an institution in their own right—which came with a greater responsibility to tackle some of Toronto theatres’s biggest challenges: space, childcare, and diversity.
Mora V. Harris offers suggestions for what organizations can do if they can’t afford the travel costs associated with bringing an artist from out of town.
The Future of Crowdfunding for Theatre Artists of Color
An online conference hosted by Advancing Arts Forward
Friday 1 March 2019
Video Conference
Advancing Arts Forward and HowlRound Theatre Commons presented the panel The Future of Crowdfunding for Theatre Artists of Color livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 1 March at 11:30 a.m. PST (San Francisco) / 1:30 p.m. CST (Chicago) / 2:30 p.m. EST (New York) / 7:30 p.m. UTC +0 (London).
Joe Melillo, BAM’s outgoing executive producer, talks to Rob Orchard about his thirty-five-year-long time at the company, continuing his work with emerging artists, and more.
Kim Whitener, the former executive director of HERE, and theatre producer and consultant Mara Isaacs sit down to talk about moving from institutions to the freelance world (and vice versa), the generosity of other theatre creators, work-life balance, and more.
Associate Producer Ramona Ostrowski and Fellow JD Stokely reflect on how HowlRound made the Theatre in the Age of Climate Change Convening on 8-10 June 2018 our greenest convening yet.
Olivia D’Ambrosio, Producing Artistic Director of Bridge Repertory Theater in Boston, Massachusetts discusses how the company's early ambitions led to challenges, and how they're learned to course-correct.
The Ugly Truth About Arts Institutions Led by Women of Color
9 May 2018
Founder and executive artistic director of Dallas’s Bishop Arts Theatre Center Teresa Coleman Wash looks at the realities of running a theatre company as a woman of color.
Artistic Director Kristin Marting discusses how developmental programs can better meet the needs of artists and shares best practices from HERE’s multi-year artist residency program in New York City.
Zach Donovan addresses the shortcomings of nonprofit theatre, the glut of self production, and considers Pop Theatre as an alternative theatrical vehicle.