New Play Development

Peter Nachtrieb talks to nine other Bay Area-based playwrights about their connection to where they live.

Mya Kagan announces a new project: the Future Is Female Festival.

A new play takes cues from funk music to explore bisexuality, biphobia, and polyamory in 1990s Brooklyn.

Dramaturg Deanie Vallone talks with playwright Larissa FastHorse about The Thanksgiving Play, writing a play with all white characters, and the obligation artists and institutions have to their area’s Indigenous community.

Rachel Bykowski looks at Dana Lynn Formby’s American Beauty Shop and Kristiana Rae Colón’s good friday and asks: is it possible for women playwrights to tell truthful stories of the female experience and male oppression when men hold the majority of leadership positions in the American theatre?

Playwright Jacob Juntunen remembers Edward Albee’s generosity toward other playwrights.

In this first installment, Playwright Maggie Sulc shares her experience working and living in Canada, reflecting on successes and challenges.

Irma Mayorga and Olga Sanchez introduce a new initiative from the Latinx Theatre Commons championing scholarship around new Latinx plays.

Two more of “Max’s” plays receive different responses than Mya’s did, leading her to affirm her belief that bias is at work in the submission process.

The second dispatch from Team Awesome Robot on producing independent theatre in New York City.

Karen Hartman describes the process of immersing herself in a community in order to tell their story on stage, in this installment of the Triply Play series.

In this installment for the Triple Play series, Director of Community Engagement Leda Hoffmann shares Milwaukee Repertory Theater’s process for curating dialogue about new work with their audience.

Priscilla Page on Ricardo Gamboa and Sean James William Parris’ Space Age at Free Street Theater in Chicago, Illinois.

In this cultural moment of divisiveness, how is one of the true stories of abortion theatricalized? Holly Derr considers Oregon Shakespeare Festival’s co-production of Roe by Lisa Loomer. 

Daniel Kelin describes the process of working on a play with a multi-racial and -ethnic ensemble playing characters from many different backgrounds.

Shelby-Allison Hibbs on Kitchen Dog Theater’s productions of Steve Yockey’s Blackberry Winter and The Thrush and the Woodpecker.

Carey Purcell looks at female artistic leadership of summer companies at New York Stage and Film, the Eugene O'Neill Theater Center, and Williamstown Theatre Festival.

Bertie Ferdman chats with New Saloon Theater Co. about their recent production, MINOR CHARACTER: Six Translations of Uncle Vanya at the Same Time at The Invisible Dog in Brooklyn, New York.

Andrew Bailes on the critical reception of The Bachelors, written by Caroline V. McGraw and directed by Erica Weiss in Chicago, Illinois.