How can we as a field address the impending climate crisis while we still have time to do so? What have we learned during this time and how can we build on it? In this session, join arts leaders, climate crisis experts, artists and innovators who are already responding to the crisis and calling for collective action to learn how the performing arts presenting, booking and touring field can tap our power for change and worldwide impact.
HowlRound Theatre Commons is excited to lift up the work of The Flashpaper as today’s featured article. In issue two of this print-only publication composed of plays, manifestos, short stories, monologues, essays, and art work, theatre artists imagine what moments of justice could look like in our future. We are excited to share “End of the Lark: The Role of Nonprofits in an Actually Just World,” an essay co-written by Jennifer Haley and Olivia George about New York City’s theatre and lab the Lark.
Learnings from Administering the National Playwright Residency Program
29 October 2020
Ramona Rose King shares learnings from five years of working on the National Playwright Residency Program (NPRP) and argues that if we want to reinvigorate our art form and come back from this lull with vibrant, groundbreaking work, we need to invest in the artists who are making it.
Susan Booth, artistic director of Atlanta’s the Alliance Theatre, talks about how we are currently living in what is referred to as “the carnival” and shares ideas of how artistic organizations ought to react during this time.
Jack Reuler, artistic director of Minneapolis’s Mixed Blood Theatre, reflects on how the pandemic might just be the great equalizer in the American theatre and how it’s time for theatre to move from being something nice to being something necessary.
Tamilla Woodard, co–artistic director of Working Theater in New York, talks about why she makes theatre and offers several “what if” thoughts about how the field should move forward.
Leaders from racial justice, environmental justice, immigrant rights, and economic justice groups share strategies for building movement power together
Friday 9 October 2020
United States
The US Department of Arts and Culture, Arts & Democracy, and Naturally Occurring Cultural Districts NY (NOCD-NY) presented the conversation Activating the Cultural Power of a Movement livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Friday 9 October 2020 at 1 p.m. PDT (San Francisco, UTC -7) / 3 p.m. CDT (Chicago, UTC -5) / 4 p.m. EDT (New York, UTC -4).
While global protests have amplified calls for defunding the police, Chelsea Whitaker shares thoughts on how theatre needs to end its own policing of Blackness as well.
Teresa Coleman Wash reflects on how the current state of affairs has fueled an urgency to interrogate all systems of oppression and argues that it’s past time to stop holding Eurocentric theatres up as the pinnacle of success.
an #ArtistResource talk with Rachel Spencer Hewitt (PAAL); Claudia Alick (CallingUP); Ashley Hanson (Department of Public Transformation); and more
Tuesday 7 April 2020
United States
Livestreaming the #ArtistResource panel It Was Always Possible: Centering the Leaders Who Were Here All Along (ASL & Captioned) on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 7 April 2020 at 8 a.m. HST (Honolulu, UST-10) / 10 a.m. AKDT (Juneau, UTC-8) / 11 a.m. PDT (San Francisco, UTC-7) / 1 p.m. CDT (Chicago, UTC-5) / 2 p.m. EDT (New York, UTC-4).
For US-Based Freelance Artists and Cultural Workers in all Disciplines
Monday 16 March 2020
United States and the World
HowlRound and a group of artists, arts administrators, and others from around the US discussed how COVID-19 is impacting freelance artists. The panel was livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 16 March 2020.
American sign language interpretation and live captions are available.
National New Play Network's Continuing Commitment to Radical Change
26 January 2020
Nan Barnett, National New Play Network’s executive director, talks about the organization’s twenty-year evolution; the realization that, as a governing body, they were “really, really white”; and their commitment to turning the organization into a replicable model of a diverse and inclusive ecosystem.
Rethinking the Commoditized Theatre and the Public Space
22 October 2019
Charles M Pepiton discusses professional theatre’s commercial roots, how mission statements of non-profits today focus on social engagement, community-based development, and more.
Michael J. Bobbitt and Raymond O. Caldwell in Conversation, Part II
16 September 2019
Part II of the conversation between Michael J. Bobbitt, the recently appointed artistic director of Boston’s New Repertory Theatre, and Raymond Caldwell, the new leader of Washington’s Theater Alliance, who talk about post-show conversations and self-care.
Playwrights Kirsten Greenidge and Peter Nachtrieb talk about what it means to be an artist in residence, how theatres constantly work on their mission, connecting with the community, and more.
Playwrights Will Power and Jonathan Norton talk about what being an artist in residence looks like, championing local playwrights, rejection letters, and more.
An Interview with the Founders of Wry Crips Disabled Women’s Theatre Group
21 August 2019
Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history.
Playwright Peter Nachtrieb and artistic director of San Francisco’s Z Space, Lisa Steindler, talk about the National Playwright Residency Program, getting out of your comfort zone, making a living as a writer, and more.
Julia Rhoads of the ensemble dance-theatre company Lucky Plush Productions talks to From the Ground Up about their sustaining efforts, strategies for developing work, and why the messiness of human relationships is such fertile ground for making work.
Addressing Sexual Harassment in our Theatre Communities
17 July 2019
Dawn M. Simmons, John Meredith, and Jen Lewis, from New England’s StageSource, discuss where progress needs to happen to address harassment in the theatre industry.
Zach Donovan discusses how the Shed—the state-of-the-art arts complex in New York City’s recent real estate development, Hudson Yards—has become a point of contention in the downtown theatre community.
Jordan Schwartz discusses gentrification in developing neighborhoods, how artists moving in need to work with the existing communities, and what kind of change that can bring about.