Georgina Young-Ellis looks at the history of the innovative Mexican theatre company Teatro Línea de Sombra, its connection to Portland, Oregon, and two of their projects: Amarillo and Rebuilding Small Territories.

Robert Goodwin and Mary Kathryn Nagle discuss decolonizing Western theatre, linear narrative structures, the historic silencing of underrepresented voices, Shakespeare, and more.

Rachael Carnes discusses organizing Playwrights Say Never Again to School Shootings, a new anthology of work on gun violence by nineteen playwrights with readings all over the United States.

Holly Derr discusses the dramaturgical implications of playwright Mary Kathryn Nagle changing one of her characters to a woman in her newest play Manahatta, which premiered at Oregon Shakespeare Festival in March 2018.

Off the Rails, which was produced at OSF in October, shows how Native plays can include depictions or descriptions of Native history as an element of lived experience, not as the entirety of the play’s purpose.

Holly Derr interrogates green(drama)turgy at Oregon Shakespeare Festival and how stories can be used to reconnect people to their physical world.

Precious Yamaguchi takes part in Take Them Into the Dirt, a participatory production at OSF about legacy, storytelling, memory, and identity.

In the first installment of this new series, a collaboration with Canada’s SpiderWebShow, Yvette Nolan ponders the porous boundary between the United States and Canada, and the importance of theatrical communication in difficult political times.

Artistic Director Josh Hecht reports on the first year of Profile Theatre’s Diversity and Inclusion Initiative, and shares insight from the process. 

Olga Sanchez on the writing and production process of El Payaso by Emilio Rodriguez at Milagro Theatre in Portland, OR.