Content in this section centers one crucial aspect of theatremaking: the audience. How do theatremakers identify and attract the right audience for a particular work? What are the different levels of engagement, from simple spectatorship to participation? Amrita Ramanan’s 2013 series gathers thoughts from leaders in the field and is a great place to start, as are videos from Theatre Communications Group’s 2015 Audience (R)Evolution Convening.
In this article for the Performing the Internet series, Miller Puckette and Onyx Ashanti get together for a conversation about the changing landscape of multimedia technology in the arts, how technologically mediated performance practices have taken on new relevance in the post-COVID era, and more.
Tamilla Woodard, co–artistic director of Working Theater in New York, talks about why she makes theatre and offers several “what if” thoughts about how the field should move forward.
Seattle-based Jasmine Mahmoud talks to New York–based Autumn Knight about Knight’s recent performance Our Water is Melted Snow, geography and audiences, and staging and presence across screens.
Charlie Peters, who has spent the early days of the pandemic thinking about and experimenting with how physical comedy can (and can’t) live online, shares what he’s learned.
Are Malawi Theatre Groups Underpricing Their Shows to Extinction?
10 August 2020
Isaac Mafuel shares a recent debate had amongst theatremakers in Malawi about how to best price shows, considering both that low prices are a way of coping with the circumstances of their economy and that art should claim its value.
Blair Cadden explores how immersive theatre can adopt BDSM practices—including negotiations, safewords, and aftercare—to create safer experiences for both actors and audience members.
Lavina Jadhwani offers artists several techniques to better utilize Zoom, whether as leaders of classrooms, theatremakers part of shows, or attendees of events.
Staff members at the Huntington Theatre in Boston, Massachusetts discuss their response to their theatre’s closure due to COVID-19: calling audience members and reading them monologues over the phone.
Rebuilding a Better Theatre Industry Post-Pandemic
A Punch List
14 May 2020
Genevieve Beller argues that the current forced pause on society provides a rare opportunity for theatres to take stock, inventory priorities, and enact positive and lasting change, and she provides tangible steps to do so.
WELCOME TO OUR SPACE? A Town Hall on Audience Interactions
at Aurora Theatre Company in Berkeley, California
Monday 2 March 2020
Berkeley, California
The Aurora Theatre Company presented WELCOME TO OUR SPACE? A Town Hall on Audience Interactions livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Monday 2 March 2020 at 7 p.m. PST (San Francisco, UTC-8) / 9 p.m. CST (Chicago, UTC-6) / 10 p.m. EST (New York, UTC-5).
Playwright/critic Ava Wong Davies talks to critic Maddy Costa and plawright Alice Birch about who reviews are for, responses to criticism, self-censorship, and more.
Dr. David Stevenson talks about audience diversification, confronts the dominant hierarchy of cultural activities, and looks to create space for valuing everyone’s chosen cultural experiences the same way.
Zoë Svendsen discusses working with fellow theatremakers to build and present imagined realities of London and Oslo in post-capitalist and post-fossil-fuel cultures.
Caring for Ourselves So We Can Care for Each Other
Michael J. Bobbitt and Raymond O. Caldwell in Conversation, Part II
16 September 2019
Part II of the conversation between Michael J. Bobbitt, the recently appointed artistic director of Boston’s New Repertory Theatre, and Raymond Caldwell, the new leader of Washington’s Theater Alliance, who talk about post-show conversations and self-care.
"I’m Not Interested in More Allies. I Need Advocates."
Michael J. Bobbitt and Raymond O. Caldwell in Conversation, Part I
15 September 2019
Michael J. Bobbitt, the recently appointed artistic director of Boston’s New Repertory Theatre, and Raymond Caldwell, the new leader of Washington’s Theater Alliance, sit down to talk about race equity work, the guilt they felt leaving their previous posts, and more.
The Intersection of Digital Technology and Live Performance
Observations from HowlRound and SpiderWebShow’s Digital + Performance Convening
12 August 2019
May Antaki reflects on the Digital + Performance Convening, produced by HowlRound Theatre Commons and SpiderWebShow Performance, which focused on the intersection of digital technology and live performance.
What You, Theatremaker, Can Learn from Theatre for the Very Young
29 July 2019
Alex Ates reflects on the Toddler Takeover at Atlanta, Georgia’s Alliance Theatre and shares what the growing field of theatre for the very young can teach adult theatremakers about their craft.
Thinking About Space in Invited and A Doll’s House at Germany’s Our Stage Festival
23 July 2019
verity healey examines the concept of theatrical space as it applies to two shows that were presented at Germany’s Our Stage festival in May: Invited and A Doll’s House.