Recent Series

Jeffrey Caprenter details Ojo, an immersive experience which aspires toward a traveling, non-visual theatre.

This blog series analyzes the sanctified “Great Female Roles” written by men, and the patterns in which male playwrights craft female characters from myth, history, current events, or whole cloth.

In response to the protest and aftermath of the New York Gilbert & Sullivan Players’ now canceled production of The Mikado, this series addresses the racist performance and casting practices of Yellowface in the American Theatre.

Aphra Behn from Guerilla Girls On Tour reports on the 2015 Women Playwrights International Conference in Cape Town, South Africa.

What is the process of developing new musical theatre? How can composers and lyricists better protect their work, while also promoting it?

This series explores the ways various artists and companies employ the tools of interactive theatre to complicate audiences’ individualized experiences and get them thinking about their place within a community.

As a field, we talk frequently about the results of season planning, but we rarely are given the opportunity to examine the myriad decisions season programmers need to make.

This series focuses on theatre and film in a fly-over state like Kentucky that is struggling to not only join, but also lead in the twenty-first century.

A look at the art form through the eyes of some of its most innovative and stalwart thinkers.

Interviews with playwrights participating in the 2015 Carnaval of New Latinx Work.